It was on a Sunday, on September 19, 1993 to be exact, that Charlie Haden heard Brad Mehldau for the first time. Charlie and I were walking through the halls of the Hidden Valley Resort located in the Laurel Mountains in southwest Pennsylvania. The resort was sponsoring a jazz festival and Charlie had just finished an interview after which we needed to get back to the hotel room in order to prepare for Charlie’s sound-check and concert that night. As we hurried through the hall, one could hear, from behind the closed doors of the auditorium we passed, the sounds of a concert in progress.
In listening to the five years of the Brad Mehldau Trio represented in this box set, one hears the unfolding of a new and significant part of modern jazz history, as the end of the 1990s opened the door on the explosive creative renaissance of the music in the 21st century. Nonesuch has compiled the five releases in the Art of the Trio series, as well as an additional disc of unreleased recordings from the same period (1997-2001), offering a serious reconsideration of what has already been accepted as a "next step" for the jazz piano trio's history. On Vol. 1, Mehldau, bassist Larry Grenadier, and Spanish drummer Jorge Rossy intriguingly and seductively begin uttering the first sounds of their new language via Mehldau's originals, such as "Lament for Linus" and "Ron's Place"…
Some of the most profound works in music and poetry have been elegies-expressions of sorrow, lamentation, loss. The piano literature is rich in elegiac music by Chopin, Schumann, Beethoven, Brahms. Bill Evans and Bud Powell made important elegiac statements. It could be argued that pieces like J.J. Johnson’s “Lament” and Benny Golson’s “I Remember Clifford” are, in the strict sense, elegies. Now comes young Brad Mehldau with an entire album of elegiac compositions and solo piano improvisations. This is a bold step for a young artist who has launched a promising career, and for his record company, for that matter. The risk is obvious; in a formula-ridden world, the music fits no formula. Mehldau has built his growing acceptance within the piano trio format.
Brad Wilson is widely recognized as one of the best new bluesrock guitarists of our time! Power Blues Guitar LIVE is the follow up CD to the critically acclaimed 2015 studio release Blues Thunder by California guitar slinger Brad Wilson. Power Blues Guitar LIVE is a raw, unpolished live track CD featuring nine famous blues songs paying homage to some of the old blues greats like Willie Dixon, Robert Johnson and Muddy Waters. Brad takes each song and with loving care transforms them into his own with smokin' hot guitar licks and a superb rhythm section making this CD a complete tribute to the masters of the blues…
In listening to the five years of the Brad Mehldau Trio represented in this box set, one hears the unfolding of a new and significant part of modern jazz history, as the end of the 1990s opened the door on the explosive creative renaissance of the music in the 21st century. Nonesuch has compiled the five releases in the Art of the Trio series, as well as an additional disc of unreleased recordings from the same period (1997-2001), offering a serious reconsideration of what has already been accepted as a "next step" for the jazz piano trio's history.
Well, I think words alone are insufficient when it comes to describing the music of Brad Mehldau. To me this man is definitely one of the most important and innovative pianists today. The song, which is featured here is from his first album: "Introducing Brad Mehldau". "London Blues" is in fact just a blues in F, although on first hearing that might not seem the case. Let's look at the theme …by Christiaan 'Niliov' van Hemert
While sheltering at home with his family in the Netherlands during the COVID-19 pandemic, Brad Mehldau wrote 12 new songs about what he was experiencing; he was able to record them safely in an Amsterdam studio, along with tunes by Neil Young, Billy Joel, and Jerome Kern, for the album 'Suite: April 2020.'