Brahms Songs

Although the profound soul-stirring that sits at the very core of the Sapphische Ode only partially translates to a solo cello, Brahms’s skill as the mellowest of melodists and Mischa Maisky’s warming sound palette still manage to convey some of its poetic essence. My main problem here is not with the transcriptions – most of them work rather well – or, indeed, with Maisky’s tone, but with a manner of phrasing that is too ‘clean’ for what should be a soaring top line.

Following their acclaimed recording of songs by Robert Schumann, the baritone and piano duo Simon Wallfisch and Edward Rushton return to Resonus Classics with an evocative selection of songs by Johannes Brahms. Entitled Songs of Loss and Betrayal, this intoxicating programme sees Brahms using his settings of poetry as a powerful channel for his own feelings, recalling his own personal memories of unrequited love, loss and betrayal.

Franz Schubert: «Schwanengesang» / Johannes Brahms: «Vier ernste Gesänge»
Thomas Quasthoff (Bariton) • Justus Zeyen (Klavier)
EAC+LOG+CUE | FLAC (tracks): 235 MB | Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 471 030-2 | Country/Year: Germany 2001
Genre: Classical | Style: Classical Period, Romantic, Vocal

…I studied the Brahms songs in college and found them a bear to sing, particularly the final one, "Wenn ich mit Menschen- und mit Engelszungen redete" ("though I speak with the tongues of men and angels"), with its call for rich, mellow tone at the upper end of the baritone range. So Quasthoff's apparent ease in the most difficult passages impressed me no end, as did, of course, his ability to convey the beauty and power of the texts. In short, at full price, this CD's a bargain.

Zoe Knighton and Amir Farid present their seventh cello-piano collaboration — this time from the composer Johannes Brahms. The program includes his sonatas for cello as well as three songs where the cello presents the vocal line wordlessly.

Zoe Knighton and Amir Farid present their seventh cello-piano collaboration — this time from the composer Johannes Brahms. The program includes his sonatas for cello as well as three songs where the cello presents the vocal line wordlessly.

Volume 8 of our complete Brahms songs proves the ideal platform for Harriet Burns in her debut album. As usual, Graham Johnson’s scholarly booklet notes are an indispensable companion.