Brass Roland

UZEB were a band from Quebec, formed in 1976 in Drummondville. They moved to Montreal and through most part of their career they worked as a guitar/bass/drums trio with the occasional addition of a keyboard player.''Fast emotion'', released in 1983,shows a band, who wants to offer straight and pleasant jazz/fusion rock.The album is dominated by the groovy bass lines of Alain Caron, the extended guitar solos and the heavy use of synth guitar by Michel Cusson and the somewhat supported role of drummer Paul Brochu.

Artie Shaw - The Last Recordings, Volume 3 (1945-1949) {2CD Wyastone-Nimbus NI 2729~30 rel 2009}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 466 Mb | MP3 @320 -> 276 Mb
Full Artwork @ 300 dpi (png) -> 48 Mb | 5% repair rar
© 1945-49, 2009 MusicMasters / Wyastone / Nimbus | NI 2729~30
Jazz / Bop / Swing / Big Band / Clarinet

The material on CD 1 dates from the latter half of Artie Shaw’s career as a bandleader, which ended with his retirement in 1954. Always presenting tasteful and often unusually deep interpretations of big-band jazz and dance music, and featuring his exquisite and frequently profound clarinet improvisations, Shaw’s career climaxed in his rise to superstar status as the most popular musician in North America at the height of the Swing Era in 1939.

Defected Records brings you a very special compilation - the latest from their highly acclaimed In The House series, mixed by label head, Simon Dunmore - Defected In The House - Evissa '04!…

Celebrating their tenth year with this their 6th long player, Italian 5 piece band, Calibro 35, present ‘Decade’ a no expense spared across all formats 11 tracker running at a classic 48 minutes in what can only be described as an all out assault melange of cosmic freakout jazz, progressive and alternative hip hop grooves and outer space prog synth funk jamming, a pure instrumental album with a wall of sound production…

German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained relatively undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk that brought in electronic musical instruments and often lacked the iconic "four-on-the-floor" beat.