Handel’s Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists.
London Early Opera continue their new series of Handel's works with the second volume of pieces composed in Italy. Both volumes of Handel in Italy explore the young composer's Italian years through his cantatas, sacred pieces, operatic works and instrumental compositions. Featuring performances from internationally acclaimed soloists, the sopranos Sophie Bevan and Mary Bevan with their uncle, baritone Benjamin Bevan, conducted and conceived by Bridget Cunningham.
London Early Opera (LEO) have recorded a unique program of Handels Italian-inspired works, devised by harpsichordist, conductor, early music specialist and director Bridget Cunningham and featuring a unique family collaboration from world-renowned soprano sisters Sophie and Mary Bevan alongside their uncle, bass Benjamin Bevan. LEO are leading exponents of baroque research as they work closely with musicologists, historians, editors and researchers, interestingly linking dramatic music and singing with narration and art history for their concert performances.
Bridget Cunningham marks St Patrick’s Day with a new harpsichord CD that gives a glimpse into Handel’s fascinating time in Dublin. In 1741 at the age of 56, following a financially difficult time in London and with fashions turning against Italian opera, Handel went to Dublin for 9 months – a thriving musical city and the 2nd largest in the British Isles after London. The story of this fascinating trip is told in both music and detailed accompanying notes by harpsichordist and musicologist Bridget Cunningham. This disc is part of Cunningham’s ongoing series with the ensemble London Early Opera, which has already seen releases of several volumes of Handel’s music, including Handel in Italy and Handel at Vauxhall.
Handels Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists. Led by London Early Opera Director, Bridget Cunningham, Handels Queens serves an example of the groups dedication to imaginative programming and outstanding period performance, placing them at the forefront of baroque research.
London Early Opera perform a unique programme of Handel’s Italian-inspired works, devised by conductor Bridget Cunningham and featuring a unique family collaboration from from world-renowned soprano sisters Sophie Bevan and Mary Bevan alongside their uncle, bass Benjamin Bevan.
Her third solo harpsichord album on Signum Classics, baroque specialist Bridget Cunningham performs a host of works by the Anglo – Irish composer, Thomas Roseingrave in this world premiere recording to coincide with St Patrick’s Day. Although Roseingrave has been previously overlooked, he is one of the most interesting and original composers of keyboard music in eighteenth-century Britain. Cunningham who shares with him an Anglo-Irish heritage, has an ability to breathe life, air and space into this complex but exquisitely beautiful music.