Bridget Riley

With exclusive behind-the-scenes access, seldom-seen footage from the archives, insights from admirers, experts and contemporaries including Tracey Emin, Michael Craig-Martin and Martin Freeman, and a revealing interview by Kirsty Wark, this is the story of a true visionary of British art.

Bridget Riley has been challenging perception through painting for more than 60 years, with radical work that has transformed how many look at art. With behind-the-scenes access, seldom-seen footage from the archives and a rare interview hosted by Kirsty Wark, this is the story of a true visionary of British art

With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.

The Ragazze Quartet with its classical roots, Slagwerk Den Haag with the sounds of today, and the idiosyncratic jazz trio Kapok… Contrasting contours, but a common denominator: none of our three ensembles belong to a specific category. All three push the boundaries of our genres in our quest for new forms and adventurous joint projects. It is through this inquisitive musicianship that the unusual combination feels so wonderfully natural. The choice for Riley’s repertoire gave another stir to our boundary reconnoitre. For Riley’s music allows considerable space for creativity and improvisation. The tension that arises through freedom within strict frames means that every performance is different. And it brings with it that the music has a strong sense of spontaneity and joie de vivre. In In C, performed by the Ragazze Quartet and Slagwerk Den Haag, the dynamic range is enormous. Long, melodic lines as well as short, rhythmic motifs may be employed, producing an effect of both tranquil contemplation and pulsating explosiveness. Sunrise of the Planetary Dream Collector was originally written for string quartet. But the Ragazze Quartet invited jazz trio Kapok to make a new arrangement together.The mix of string quartet and horn, electric guitar and percussion, all expanded with electronic effects, offers a rich pallet of timbres.

Helen detta Hen è una manipolatrice, una millantatrice, una bugiarda brava a ingannare prima di tutto se stessa. È anche la madre di Bridget, voce narrante di questo romanzo crudele che ci trascina nelle sabbie mobili di un legame implacabile. Dopo un'infanzia avvelenata, all'ombra di un padre che ha inflitto alle sue bambine ripetuti atti di prepotenza sottile, Bridget tiene a distanza l'insostenibile, vociante Hen limitando i contatti a sporadici scambi telefonici e all'annuale cena di compleanno che riesce sempre a trasformarsi in un disastro.

Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves