Altoist Marion Brown is perhaps best known for performances on albums by his contemporaries, such as Coltrane's Ascension, but Brown stands on his own as one of the most creative and important forces to come out of the 1960s avant-garde jazz movement. Porto Novo is widely regarded as one of Brown's best recordings, captured during a 1967 session in Holland at the peak of his creative powers, accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink. Previously out of print for decades, the recording has now been remastered for a long-overdue reissue on audiophile-grade vinyl, exclusively for Record Store Day 2020.
This was one of altoist Marion Brown's best recordings. Although a very adventurous improviser, Brown usually brought lyricism and a thoughtful (if unpredictable) approach to his music. Accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink for this stimulating session (recorded in Holland), Brown stretches out on five of his compositions and is heard at the peak of his creative powers.
Reissuing two essential albums from saxophonist Marion Brown - Why Not? (1968) and Porto Novo (1969) - the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Interrogative and exclamation are the punctuation for the pair of albums by Marion Brown on Why Not? Porto Novo! Revisited. Each fits its associative music, and the package documents the altoist at two distinct artistic junctures separated by just thirteen-months. The original albums have been in and out of circulation since their respective offing, but what makes this disc even more valuable is the commonality it shares with earlier reissue releases on the Swiss Ezz-thetics label…