Bruce Brendan Byrne

Performing with his new band in front of eager hometown fans, Springsteen goes the extra mile in this spirited set showcasing Human Touch and Lucky Town along with a few special treats. New Jersey 1992 delivers 13 songs from the two albums, from “Living Proof” and “Souls Of The Departed” to “Real Man” and “All Or Nothin’ At All.” It also features the tour’s only performance of the gospel gem “Ninety-Nine And A Half (Won’t Do)” showcasing the background singers, plus a unique solo-to-band arrangement of “Open All Night” that hilariously updates the turnpike tale.

Bruce Springsteen & The E Street Band's "The Born in the U.S.A. Tour '84 - '85" album has been released as a new album containing selected live recordings from the tour that took place between 1984-1985. This album sheds light on one of the most important periods of Springsteen's career and offers fans the opportunity to relive the energetic concert experiences of that period.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

In December, Legacy Recordings surprised Bruce Springsteen fans with a digital album of live rarities called The Live Series: Songs of the Road.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Brendan Byrne Arena, New Jersey 1984 is a live album by Bruce Springsteen & the E Street Band, released in May 2015 and was the fifth official release through the Bruce Springsteen Archives. The show was originally recorded live at the Brendan Byrne Arena in East Rutherford, New Jersey on August 5, 1984.

The newest chapter in Bruce Springsteen’s monthly live concert download series is a show he played at New Jersey’s Brendan Byrne Arena on July 9th, 1981.

Like Elvis Presley, Bob Dylan, Neil Young and a few others, Bruce Springsteen transcends the boundaries of the musical genre in which one would try to encase him. Over the years, the New Jersey kid has become a symbol, both musical and ideological. Following in the footsteps of his idol Dylan, the Boss embarked on often poignant snapshots of this crumpled star banner, of the often abused American dream, in short the chronicle of an America on the fringes, of which he remains one of the most sparkling ambassadors… Few musicians have an aura as developed with their audience as he does. Since the beginning of his career in the mid-70s, he has not stopped touring, tirelessly filling stadiums and the largest halls in the world. In his early 60s, the Boss always puts so much soul into his concerts and on record, which explains the constant interest that his many fans have.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him throughout most of his career.