Bruce Springsteen

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen - Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan - Piano, keyboards, accordion; Clarence Clemons - Tenor and baritone saxophones, percussion, backing vocal; Danny Federici - Organ, keyboards, accordion; Nils Lofgren - Electric and acoustic guitars, backing vocal; Garry Tallent - Bass; Stevie Van Zandt - Electric and acoustic guitars, mandolin, backing vocal; Max Weinberg: Drums; Charlie Giordano - Organ, keyboards, accordion; Soozie Tyrell - Violin, acoustic guitar, percussion, backing vocal

Recorded At The Hit Factory & The Power Station, New York City, New York USA 1982 April 1984.

Tracks is a four-disc box set by Bruce Springsteen, released in 1998 containing 66 songs. This box set mostly consists of never-before-released songs recorded during the sessions for his many albums, but also includes a number of single B-sides, as well as demos and alternate versions of already-released material.

Propelled by the release of Born To Run, the latter months of 1975 saw Bruce Springsteen emerge as a superstar. This 4-disc set commemorates his legendary stands at the Bottom Line and Roxy clubs, which cemented his reputation as the most articulate and exciting songwriter and performer of his generation. Originally broadcast on WNEW-FM, they re presented here with background notes and rare images. Discs 1 and 2 capture the Live At The Bottom Line, August 15th 1975 set. Discs 3 and 4 capture the Live At The Roxy Theater, October 17th 1975 set.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective the E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him through most of his career.