Build More Stuff With Wood

A sleazy, funky, slick and snazzy collection of music swiped from adult cinema classics! 70's and 80's magic, passion and beats!! Sultry kitsch, remastered magic and lossless classics!

On each album, Jack Broadbent is used to people saying, “Oh, this is a departure from your previous stuff.” That’s something the British-born singer, songwriter and guitarist has heard to varying degrees, over the course of his six albums to date, and is certainly fitting of his latest release, RIDE. As someone who is as connected to the quality of his relationships with people as he is to the quality of his music, rest assured he considers that a compliment.

Originally released in 1982 this was the fourth solo release [also known as Security] featuring the bass & stick skills of Tony Levin and VDGGs Peter Hammill providing backing vocals on three songs.

Over two decades ago, Three One G Records flew in the face of Queen purists with the release of Dynamite With A Laserbeam: Queen As Heard Through the Meatgrinder of Three One G, the label’s 20th release. On it, bands like Melt-Banana, Weasel Walter, The Locust, Bastard Noise and The Blood Brothers unapologetically tackled some of the most beloved and universally recognizable music in popular culture and made it nasty, noisy, and brutal– and they did so with nothing but love and respect. This was followed by an equally bold tribute to Australian avant-garde legends The Birthday Party, entitled Release The Bats. More frenetic energy from the likes of bands like Cattle Decapitation, Das Oath, SSion and Some Girls, more chaotic feedback giving way to unsettling synth lines, and still (knock on wood) not a lawsuit in sight.

Dirk Quinn is a Philadelphia based guitarist who has utilized nearly a decade of steady performing to develop a unique and progressive style - one that sits somewhere between jazz, funk and rock. Initially attracted to the guitar as a teenager after being introduced to classic rock giants such as Led Zeppelin and The Who, Quinn’s thirst for the unique and bizarre soon had him jamming along to the more radical and daring Mahavishnu Orchestra and the humorous, bass-laden noise of Primus. Playing virtually non-stop with countless musical projects afforded him ample opportunity to hone his chops.