Butterscotch Records

A 4-CD + 7" collection showcasing Fania's era-defining output of Latin soul and boogaloo spanning 1965-1975. The set compiles single versions of 89 tracks from such best-selling artists as Ray Barretto, Joe Bataan, Bobby Valent¡n, Ralfi Pagan and Larry Harlow, plus rarities and B-sides, housed in a 60-page hardcover book with liner notes by producer Dean Rudland. The bonus 7" includes rare 1967 promo cuts for WEVD NYC's Symphony Sid radio show. Mastered by GRAMMY-winning engineer Paul B.

A 4-CD + 7" collection showcasing Fania's era-defining output of Latin soul and boogaloo spanning 1965-1975. The set compiles single versions of 89 tracks from such best-selling artists as Ray Barretto, Joe Bataan, Bobby Valent¡n, Ralfi Pagan and Larry Harlow, plus rarities and B-sides, housed in a 60-page hardcover book with liner notes by producer Dean Rudland. The bonus 7" includes rare 1967 promo cuts for WEVD NYC's Symphony Sid radio show. Mastered by GRAMMY-winning engineer Paul B.

Complete lessons for 11 Instrumentals!

The Octopus Project has been releasing joyous party music since 2002, following a musical path that veers through blown-out rock’n’roll, vibrant electronics, surreal pop and expansive psych landscapes. All these complimentary/contrasting elements have been packed into their sixth and latest album, Memory Mirror, creating a sonic world that is at once more diverse and more focused than any of the band’s work to date.

The Decade box chronicles the ten-year period after I moved to New York City in the mid-nineties. It's the decade where I caught air, to use a sports metaphor. I wrote more songs, made more albums and toured more than any period before or since. Maybe it was the excitement and energy of living in a new city–I'd always been in love with Manhattan and it was a "pinch me" period where I couldn't believe I was finally living here. I went out constantly, fully embraced the city and nightlife and sights and sounds and that excitement came out in the music. It was that thing that writers always dream about, that state where you can barely keep up with all the ideas you're having. I didn't have time for writer's block. I was just a stenographer to the muse that wouldn't leave me alone or let me slow down.

Let's Hide Away and Dance Away with Freddy King is a 1961 instrumental album by blues guitarist and singer Freddie King (at the time spelled "Freddy").

Texas born Freddie King was one of the all time great Blues guitarists, and was a major influence in the sixties on the likes of Eric Clapton, Jeff Beck, Peter Green, and Mick Taylor. The first two CDs showcase live recordings from his classic repertoire over a period from 1969 to 1975. His signature tune "Hide Away" was named after a nightclub on Chicago's Westside; "Mel's Hideaway lounge". The third CD is King's studio album Let's Hide Away And Dance Away which contains all his best known tracks including "Sen-Sa-Shun", "Side Tracked", and "San-Ho-Zay", as well as "Hide Away".

Three CD set. Although the lushly-arranged, harmony-based late 60s Sunshine Pop sound is most readily associated with America in general and the sun-kissed California region in particular, the reality is that it was always an international phenomenon. What A Groovy Day is a thrilling four-hour celebration of Britain's contribution to the genre, ranging from household names (The New Seekers, Cliff Richard, Petula Clark, The Hollies, Herman's Hermits) to terminally obscure acts like Infinity and The Mellow Yellow, who failed to release anything at the time. Naturally our compilation includes contributions from the two uncrowned kings of the 60s British harmony pop sound, vocalist Tony Rivers (who provides us with our title song) and studio all-rounder John Carter, represented as both performer and songwriter. Other highlights come from posthumously-acclaimed Sunshine Pop maestros Design, a trio of music library recordings by the largely overlooked but hugely talented backroom auteur Barbara Moore and, perhaps most intriguingly of all, the first-ever release of The Sweet's first demo recording, cut when they were still known as Sweetshop.