This expanded reissue, released to celebrate Wigwam’s 50 years of existence, comes in gatefold covers and with new interviews with the band members and manager. The second disc features a previously completely unreleased set of alternate early mixes and rehearsal takes from Virgin Manor Studios.
'Panorama of American Piano Music' is a comprehensive survey of 20th century piano works, beginning with Ives’ “The Alcotts” movement from the 'Concord Sonata' (1912) through Lou Harrison’s 'Summerfield Set' (1988). Every decade is represented with works from between those years. Pianist Yvar Mikhashoff (1941–93) was a master at presenting marathon concerts on a single theme. The 'Panorama' was one of them, exploring the remarkable diversity of 20th century American music, from serialism to minimalism, populist to avant garde experimentalism, short works for amateur pianists to virtuoso pieces. Never before has such a survey of piano music been represented.
An unmistakable expressive voice. Spacious music based on fado. This is "Fado Camões", the new album by Portuguese singer and composer, LINA_ to be released worldwide on 19 January 2024 on the German label Galileo Music. “Fado Camoes” is a unique composition based on the classic poetry of Portugal’s most celebrated historical poet, Luís Vaz de Camões and follows on from the critically acclaimed album “Lina_Raül Refree” which celebrated the songs of Amália.
It all started in 2010. I had asked Eamon Ore-Giron - aka DJ Lengua - if he would be interested in compiling a Latin project for Analog Africa, and if so, if he had a theme in mind. He replied, "Have you ever heard of Rebajada?" The question mark above my head, together with the wall of China, must have been the only other object visible from out of space because Eamon, probably noticing I got paralysed, continued, "Rebajada in Spanish means "to reduce, lowered". It's basically Mexican sonideros (sound-system operators) slowing down the beat of a Cumbia to create a much more tangible music to dance to. I'll send you a mix I made last year and let me know what you think." And so he did.
Danilo Perez' debut on Mack Ave Records is deeply anticipated by the critical community and while that level of near-academic excitement exists, it is vital to remember that this music is truly moving on visceral, physical and emotional planes. In a nutshell - and from the artist himself - Providencia crosses streams of jazz, classical and Latin American folk music, which Perez refers to as 'hearing music in three dimensions.' The title track itself is buoyed by pulsating Latin rhythms and an enticing vocalizes foray. While there is no doubt that talent and technique abound on this record - in Danilo's facile fingers and players - a great heart also resides in the compositions and performances.
Leaving To Nothing (1995). This album is truly authentic to the best of what was being recorded in the mid to late 1970s electronic scene. It's where rock meets electro. This recording is almost haunting. It's as if the talented musicians who recorded this album were transported through time and just started jamming. If you like Floyd, Parsons, Carlos, Tomita, Vangelis, Baumann, Tangerine Dream, or any of the other notables of that era…
A genuine tonic, this, and an auspicious start to Chandos’s ambitious Grainger Edition. Richard Hickox evidently has a deep affection for this intoxicatingly colourful repertoire and he draws a consistently alert and superbly stylish response from the BBC Philharmonic.
The Abbreviated King Crimson: Heartbeat (1991). For an affordable and short (really short - 23 minutes) introduction to the wonders of King Crimson, The Abbreviated King Crimson: Heartbeat will do the trick. The EP was released to coincide with the appearance of the mammoth box set The Essential King Crimson: Frame By Frame back in late 1991. Split almost 50-50 between early Crimson and the later '80s version of the group, many classic tracks are left off (nothing off the fan favorite Red is present), so it's certainly not a definitive King Crimson anthology. Still, the band's attention to detail and perfection are nearly unparalleled, as evidenced by Adrian Belew's Police-sounding guitar gracing the ballad "Matte Kudesai," and Tony Levin's bass showcase "Elephant Talk"…