Camel's The Single Factor is my least favorite Camel album up to 1982 and many would argue that this is also their weakest. Fresh off their release of the concept album Nude, Camel delivers a pop rock smorgasbord. There really are some woeful tracks here, but on the flip side, some pretty good ones as well. Latimer writes or co-writes everything here (not all that surprising) and The Single Factor did achieve mild success at the time of its release in the UK. As always, there is a decent amount of guitar work spread throughout the album to keep Latimer fans happy…
Strap yourself in for another dire journey with Camel. This time it's the Irish immigration to America, a fitting travel companion for Dust and Dreams or Nude. The Celtic overtones are largely dispensed with by the second track, and what emerges is a finely conceived concept album filled with rich, saturated arrangements and guitar leads that cut through the surrounding music like a beacon. More so than Dust and Dreams, Harbour of Tears feels like it was intended for the stage…
Having held their ground during the tornado of punk, Surrey prog-rock stalwarts Camel began the 80s in style with Nude: an ambitious concept LP based on the true story of Japanese soldier Hiroo Onoda, who believed World War II was still ongoing when he was rescued from a remote Philippine island in 1974. It would not be the last time Camel tackled political and emotional turmoil in the 80s, as 1984’s Stationary Traveller would go on to show.
Total Pressure is a re-release of a previously released live video (called Pressure Points) originally filmed and recorded on the tour in support of the Stationary Traveller album in the mid 80's…