Carpe Diem

Аргентинский дуэт Punto Omega с последним студийным альбом. Он сочетает отчаянный ритм и резкий сэмплированный вокал, а мощную электронную основу дополняют струнные аранжировки и даже элементы нео-фолка.

After the successful release of her highest chart debuting album, ‘Symphony’, Sarah releases her first-ever Christmas album for the holiday season. ‘A Winter Symphony’ brings her virtuosity and originality to many of the season’s classics. Her angelic voice glides through an array of season favorites, including “Silent Night” and “In the Bleak Midwinter.” Her resplendent duet, “Ave Maria,” is sung with Fernando Lima, and Mario Frangoulis lends his talent on the new classical piece “Carpe Diem.” Also featured are timeless pop tracks, including Abba’s famous instrumental song “Arrival,” adapted for first time into a vocal piece, and a gorgeous rendition of Neil Diamond’s classic, “I’ve Been this Way Before.” Sarah also brings her own elegance to the holiday pop hits, including John Lennon and Yoko Ono’s “Happy Christmas (War is Over),” “I Believe in Father Christmas” and “I Wish it Could be Christmas Everyday.” ‘A Winter Symphony’ was recorded with the London Symphony Orchestra, the Royal Symphonic Orchestra, and a 46-piece choir.

Unique publication 60 Super Exitos Latinos Club Edition! Te Gusta Mas Single by Divan ft Yomil y El Dany. Written by Divan, Yomil, El Dany. Produced and mixed by Jay Simon, Osmany Espinosa, Roberto Ferrante and Divan at La Oficina Secreta Studios La Havana, Cuba. From the unmistakable voice, which relives the Great Legends of Salsa, of yesterday & contemporary, Jehu El Rey returns to do it with his new hit Vanidad.

This new album of harpsichordist Catalina Vicens is a unique, multifaceted musical and poetic project. First, it features the world’s oldest playable harpsichord, a priceless treasure that dwells today in the National Music Museum of Vermillion, SD. She plays music from Naples, Italy from around 1525, the year when the instrument that she plays was actually built in Naples. Secondly, Ms Vicens conceived an imaginary tale of the life and story of that very instrument, partly based on historical facts, partly on poetic inspiration emerging from her encounter with this priceless treasure of a historical harpsichord.

Le groupe Ryon nous présente son deuxième album «Zéphyr», invitation sur sa planète, peuplée de sujets conscients et de textes invitant à la réflexion sur notre mode de vie actuel ou encore notre rapport à la Terre avec le titre «Gaïa».

On his first solo clavichord album, Alexander Gergelyfi creates an exceptionally colorful and at the same time sensual portrait of his home country Austria. Exquisite music from the 17th and 18th centuries is presented on what is probably the oldest surviving Austrian clavichord. The elegant "Admont" clavichord serves Alexander Gergelyfi as a gateway to hidden sounds and as a companion between dances. Simple yet affecting, keen, and fine.Born in Linz on the Danube in Austria, Alexander Gergelyfi studied harpsichord, historical keyboard instruments and early music performance practice with August Humer, Brett Leighton (Linz/Austria), Eva Maria Pollerus, Michael Hell (Graz/Austria), Aline Zylberajch (Strasbourg/France), Volkhardt Preuss and Menno van Delft (Hamburg/Germany).As a soloist and chamber and orchestra musician, he appears regularly with il Gusto Barocco, Hofkapelle Graz, L'Orfeo Baroque Orchestra, Barucco, recreationBAROCK, the Viennese early music collective opia and Ensemble Verbotene Frucht.

On this album, lutenist Toyohiko Satoh takes on one of the most famous and enigmatic works of French baroque lute literature: The collection "La Rhetorique des Dieux" published by Denis Gaultier (1603-1672). Satoh's interpretation is entirely committed to the profound simplicity and clarity of this music, which for him carries the spirit of Japanese Zen and only begins to shine not through virtuosity and emotion but, on the contrary, by engaging with the emptiness between the sounds, with the simple playing of what is.

Exquisite Delight awaits the listener on Viktor Topelmann's new solo album with viol music by Carl Friedrich Abel, Franz Xaver Hammer und Andreas Lidl. Virtuoso Allegros, sentimental Adagios and dancing Minuets come to life in Viktor Topelmann's interpretation of sonatas and solo music from this last bloom of viol music in the late 18th century. He plays an original bass viol by Barak Norman (London 1722) and he is accompanied by the cellist Gerhart Darmstadt.