CB Radio

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

This is a great CB Radio emulation that use internet to communicate. This app won't just be chat, but we want to re-create the emotions felt back in the 80s and 90s with the idea that you can talk to strangers and no one knowing who you really are!

In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television.

In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television.