Dark and heavy prog band from Italy & Slovenia which inspires their music on the old silent horror movies. DEVIL DOLL's music has been described as "an elaborate and bombastic collision of styles" and "a perverse, yet brilliant soundscape of some forbidden netherworld"…
An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late '60s, befriending another young performer named Steve Goodman…
Tempest has a band name that might suggest a group of sneering, leather-wearing, head-banging metal heads, but the group's music is less threatening and more expansive than its name suggests. Tempest plays traditional Celtic music with a rock & roll intensity that's accented by a wide range of influences from the blues to American country music, Cajun 2-steps, and Arabic music, with some old-time San Francisco psychedelic flair…
James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide…
Anthony Lawrence Carey (born October 16, 1953, Watsonville, California) is an American-born, European-based musician, composer, producer, and singer/songwriter. One of his earliest musical experiences was in a band called Blessings, in which he played until 1975 when Ritchie Blackmore hired him as keyboardist for Rainbow…
Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears.
On their studio first outing in three years, Germany's seemingly eternal Scorpions keep the sound a perfect balance between nu metal guitar crunch and '80s heavy metal melodies. Humanity Hour, Vol. 1 is a worthy if not utterly successful musical follow-up to 2004's Unbreakable – a record that saw the band coming back to its strengths after a long bout of wandering about in the creative desert. Humanity Hour, Vol. 1 is a collaboration between the band and co-producers James Michael and Desmond Child…