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The 13th Floor Elevators were one of the pioneering bands of American psychedelic rock, and their small but visionary body of work has won them a devoted following, but they've had a hard time earning the respect and historical notice they've deserved. There are many reasons for this, but the often-shoddy treatment of their recorded legacy doubtless has a great deal to do with it…

Established in 1967 at the height of their powers, The Beatles’ Apple operation saw the group embrace and encourage a wealth of contemporary musical talent, offering studio time and demo facilities alongside recording and publishing contracts. This unique opportunity attracted artists and songwriters from across the musical spectrum, and GOOD AS GOLD presents a snapshot of that talent, spanning the years 1967 to 1975. From the psychedelic tinged sounds of the mid-late 1960s onwards, the label matured and evolved alongside its audience and remains as compelling today as it did during those halcyon days.

In 2013, Future was re-released on the Big Beats label featuring outtakes, alternate versions, and extensive liner notes by Alec Palao.
Though the Seeds' third album, 1967's Future, was pegged by critics as the band's attempt to ride the wave of baroque/psychedelic/orchestral magic the Beatles defined with Sgt. Pepper's, the recording was actually complete before the release of the Beatles' far more popular breakthrough album, making it impossible for the influence to touch the uncannily similarly minded flower power tones of Future. The Seeds had their own relatively huge smash with the raw high-pressure garage thumper "Pushin' Too Hard" the year before, and saw nothing wrong with recycling that tune's melody on more than a few songs on their first two albums…

By 1979's Reggatta de Blanc (translation: White Reggae), nonstop touring had sharpened the Police's original blend of reggae-rock to perfection, resulting in breakthrough success. Containing a pair of massive hit singles – the inspirational anthem "Message in a Bottle" and the spacious "Walking on the Moon" – the album also signaled a change in the band's sound…

The Police were an English new wave band formed in London in 1977. For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion)…