Charlie

Partly because of its Brazilian collaborators and partly because of "The Girl From Ipanema," Getz/Gilberto is nearly always acknowledged as the Stan Getz bossa nova LP. But Jazz Samba is just as crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts and producing its own pop chart hit single in "Desafinado." It was the true beginning of the bossa nova craze, and introduced several standards of the genre (including Ary Barroso's "Bahia" and Antonio Carlos Jobim's "Desafinado" and "Samba de Uma Nota Só" [aka "One Note Samba"]). But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced - in harmony and rhythm - as it is beautiful…

Four great blues harmonica players (James Cotton, Billy Branch, Charlie Musselwhite, and Sugar Ray Norcia) are featured in various combinations on this spirited disc, backed by a four-piece rhythm section (with guitarist Kid Bangham and pianist Anthony Geraci). Cotton and Norcia have solo pieces, seven numbers feature two harmonicas, and the lengthy low-down blues "Harp to Harp" has all four of the harmonica players taking turns soloing. Much of the material is jazz-oriented, including "The Hucklebuck," "TD's Boogie Woogie," and "Route 66," and the majority of the selections are instrumentals. Each of the harmonica players sounds inspired and the results are consistently exciting and swinging.

Romanticism, Afro-Latin voicings and classical stylings are the three primary components of this Charlie Byrd's release. It blends his playing with that of Carlos Barbosa-Lima, Jeffrey Meyerriecks, Myrna Sislen and Larry Snitzler, and the quintet members expertly complement and contrast each other on a program of American popular standards, compositions by Vivaldi, Mozart, Antonio Carlos Jobim and three superb interpretations of the Bix Beiderbecke masterpieces "In A Mist," "Candlelights" and "In The Dark." It's more structured than improvisatory, but the playing is so compelling and exquisite that it should appeal to both guitar lovers and music fans generally.