Chuck Mangione

Chuck Mangione - The Jazz Brothers (1960) {Riverside OJCCD-997-2 rel 1998}
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© 1960, 1998 Riverside Records / Fantasy | OJCCD-997-2
Jazz / Bop / Straight-ahead Jazz / Trumpet

This 1960 recording, reissued on a 1998 CD, was not only the debut recording of trumpeter Chuck Mangione but has the first appearances on record by tenor saxophonist Sal Nistico, pianist Gap Mangione, and drummer Roy McCurdy; altoist Larry Combs and bassist Bill Saunders complete the group. "The Jazz Brothers" were based in Rochester, NY and recorded two further albums. Chuck Mangione's own fame was a decade away and, at this early point in time, he was a Dizzy Gillespie-inspired bebop trumpeter. The sextet performs "Secret Love," "Girl of My Dreams," and five straight-ahead group originals with spirit and swing. Pity that the group never really did catch on.

Chuck Mangione, the famed flugelhornist and trumpeter fills his first recording of the 21st century with some wonderfully subdued love songs whose subtle, intimate qualities may surprise those of his fans who best know his boisterous pop hits. More than simply expressing a romantic boy-girl kind of love, Mangione is playing gentle, atmospheric jazz for a wide variety of special people, real and animated. And there is no doubt that the truest love here is that between the artist and some of his old bandmates.

Chuck Mangione laid low throughout much of the '90s, perhaps the end result of a disappointing string of albums for Columbia during the '80s. He returned to the road in 1997 and evidently it was a positive experience, since he returned to the studio the following year to cut The Feeling's Back. For all intents and purposes, The Feeling's Back is a comeback album, finding Mangione returning to the smooth, melodic style of Feels So Good, but laying off the sappy pop tendencies that dogged his '80s efforts.

Last November Steve Gadd and Chuck Mangione reserved the month of March, 1994 to co-produce "The Hat's Back" album - (Chuck's first in several years). They began to weave this project into their already hectic schedules. The holidays, family responsibilities and two diverse performing itineraries somehow allowed sufficient time to select material and develop a feel for the music. At Steve's suggestion, they went into the studio one February night to layout a musical roadmap of the new material.

Due to the title cut, this was a huge seller when it originally came out. Reissued on CD, this set from flügelhornist Chuck Mangione (which helped give guitarist Grant Geissman some fame) is actually stronger from the jazz standpoint than Mangione's subsequent dates. The leader has some good solos, as does Geissman and saxophonist Chris Vadala, and the quintet's ensembles are generally both sparse and attractive. Pity that in ways this was Chuck Mangione's last worthwhile release to date; success did stunt his artistic growth.