Coltrane Dsd64

Milestones is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records. Tenor saxophonist John Coltrane's return to Davis' group in 1958 coincided with the "modal phase" albums: Milestones and Kind of Blue (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor.

Seven of the great Miles Davis 50's tunes in two live dates. John Coltrane's last recording with Miles (recorded on March 21st, 1960). Coltrane's replacement in the band, Sonny Stitt (recorded on October 11th, 1960), has a more subdued style here. Great live sound. This is one to get if you enjoy jazz.

John Coltrane's only recording for the Blue Note label, Blue Train is considered one of the greatest jazz albums of all time. Coltrane is featured here in his debut as bandleader and composer, backed by Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass and Philly Joe Jones on drums.

Standard Coltrane consists of tracks recorded in 1958 but only released in 1962 to capitalize on Coltrane's growing popularity throughout the 60s. The material on the album consists of well known music from Broadway or films, mostly ballads, recorded with the bulk of the Miles Davis band of the day: Wilbur Harden on trumpet and flugelhorn, Red Garland on piano, bassist Paul Chambers and drummer Jimmy Cobb. This is a prime example of Coltrane in the middle of his signature "sheets of sound" period.

Standard Coltrane consists of tracks recorded in 1958 but only released in 1962 to capitalize on Coltrane's growing popularity throughout the 60s. The material on the album consists of well known music from Broadway or films, mostly ballads, recorded with the bulk of the Miles Davis band of the day: Wilbur Harden on trumpet and flugelhorn, Red Garland on piano, bassist Paul Chambers and drummer Jimmy Cobb. This is a prime example of Coltrane in the middle of his signature "sheets of sound" period.

Coltrane is a 1962 studio album by jazz saxophonist John Coltrane (do not confuse with same title 1957 album). Francis Davis of The Village Voice felt that, apart from the "modal, three-quarter time novelty hit "The Inch Worm", consumers should buy the album for the gorgeous "Soul Eyes" and a shattering 'Out of This World'." The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer Babatunde Olatunji.

Coltrane is an album by jazz musician John Coltrane, originally released in 1957 on Prestige Records, catalogue 7105. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.

Soultrane is one of the essential albums in John Coltrane's career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk's quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed "sheets of sound".

ESOTERIC proudly introduces a series of re-master collection – A great Jazz collection from Impulse label. This newly remastered box set includes the follow titles: John Coltrane Quartet - Ballads; Sonny Rollins - On Impulse!; Roy Haynes Quartet - Out Of The Afternoon; Oliver Nelson - The Blues And The Abstract; Count Basie And The Kansas City 7; John Coltrane And Johnny Hartman. These new audio versions feature ESOTERIC's proprietary re-mastering process to achieve the highest level of sound quality.

Ballads is a jazz album by John Coltrane. It was recorded in December 1961 and 1962, and released on the Impulse! label in March 1963. Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just before the recordings, they "would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it". Each piece was recorded in one take, except for "All or Nothing at All". In 2008, the album was a recipient of the Grammy Hall of Fame award.