Emma Clifton espère succéder à Ross Buchanan à la direction de la compagnie maritime Barrington. Mais Don Pedro Martinez a l'intention d'y placer le major Alex Fisher, en vue de couler l'affaire. Dans le même temps, alors que Jessica, la fille d'Emma, organise son mariage, la mère de son fiancé reçoit la visite d'une jeune femme qui tente de semer la zizanie entre les familles des futurs époux. …
Trente ans après la fin de la guerre et l'anéantissement de la flotte libre, l'humanité a retrouvé un semblant d'ordre et de stabilité. Holden, capitaine nouvellement retraité, s'imagine couler des jours paisibles sur Titan, mais il doit déjouer les plans de Winston Duarte et de sa flotte dissidente, équipés d'une nouvelle et mystérieuse technologie bien supérieure à toutes les autres. …
Aigul Akhmetshina is the fiery young mezzo taking the opera world by storm. Her story is one of determination and perseverance against the odds, starting in a rural village in the mountains of Bashkortostan. She left home aged 14 to pursue her singing career. Despite facing rejection from a conservatory in Moscow, where she was told she lacked the right voice and appearance, at the age of 27 Aigul has already etched her name in history. She has become the youngest artist ever to take on the title role of Bizet’s Carmen at both the Royal Opera House and the Metropolitan Opera, both of whom have created new productions around her. Performing the role all over the world, Aigul feels an affinity with the character. "I cannot be put in a cage. Like the character of Carmen, I always fight for my freedom."
Aigul Akhmetshina is the fiery young mezzo taking the opera world by storm. Her story is one of determination and perseverance against the odds, starting in a rural village in the mountains of Bashkortostan. She left home aged 14 to pursue her singing career. Despite facing rejection from a conservatory in Moscow, where she was told she lacked the right voice and appearance, at the age of 27 Aigul has already etched her name in history. She has become the youngest artist ever to take on the title role of Bizet’s Carmen at both the Royal Opera House and the Metropolitan Opera, both of whom have created new productions around her. Performing the role all over the world, Aigul feels an affinity with the character. "I cannot be put in a cage. Like the character of Carmen, I always fight for my freedom."
André Cardinal Destouches (1672-1749) was educated by the Jesuits and had a career as a Musketeer before resigning to study music with André Campra. His first ‘hit’ was the pastoral Issé in 1697, which was written for the court but immediately taken up by the Opéra in Paris. He rose to prominent positions in both contexts and Sémiramis was first performed in 1718. Influenced by the Italophile Campra, Destouches abandoned the traditional five-part string scoring of Lully and his followers and created a work that was perhaps too serious for its time: only now are we in a position to recognise his work as an important step along the road from the aesthetic of Lully to that of Rameau.