Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.
Simply a grand and eloquent performance put together by Verve records highlighting the best years of Ella Fitzgerald – that sassy, charming legendary singer in jazz. The Best of the Songbooks features a captivating lineup of some of jazz's greatest composers and arrangers. It is here that Fitzgerald records and sings songs of Cole Porter, Richard Rogers and Lorenz Hart, Duke Ellington, Irving Berlin, George & Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
The Gaslight Anthem's 2023 LP History Books serves as their first since 2014, and the band brings such ferocity to their return, it sounds as if they're trying to wipe away a near-decade's worth of cobwebs in a single riff, cymbal crash, and lyric. Somber but not sad, History Books recalls the urgency and triumph of the band's sophomore effort and breakthrough, 2008's The '59 Sound. Singer Brian Fallon sounds reinvigorated and as tenacious as ever, yet also a bit wiser since the last time he and his band checked in. Opener "Spider Bites" shines with soaring guitar solos and a galloping drum groove. Fallon's voice is awash in distortion, less desperate but no less passionate than he sounded as a young man 15 years prior to History Books.
This admittedly pricey - but by all means mandatory - Grammy Award-winning box set is the final word on the "songbooks" recorded by Ella Fitzgerald between 1956 and 1964. The audio contents have been completely remastered and each title has been expanded - wherever possible - to include previously unissued material. In terms of packaging, the producers went to extreme lengths to create exact reproductions of all the vintage LP jacket artwork. Even going so far as to precisely miniaturize the entire hardbound text The Gershwins: Words Upon Music that accompanied their 1959 collection as well as the booklet that came with the Ellington anthology…
Starting September 8, 2023, musician haruka nakamura will be in charge of in-store music for some Tsutaya Books stores for one year. All songs are newly written songs for the Tsutaya Books Project. We plan to produce four albums during the period until summer 2024, with the theme of "forest", which is also the concept of a bookstore. Although it is a new sound in haruka nakamura's career, it is original ambient music that has a nostalgic feel. 80's synthesizers, distant hymns, reverberating piano, electronica, Fender Rhodes, and calm minimalism. These songs make you feel like you are taking a deep breath in the forest in this day and age where relaxation is sought after. The music will be released as a beautifully bound CD album, with an unreleased photo jacket by photographer Rinko Kawauchi.
Nicolas Lebègue (1631-1702) is largely represented in the record catalogue by albums of organ music. Yet his pieces for harpsichord are no less distinctive and appealing in their way, and this new recording presents a rare chance to survey that side of his output in toto.
The extraordinary series of 1998-2006 recordings of the nine published books of madrigals by Monteverdi, from Claudio Cavina and the Italian ensemble La Venexiana, is now available in limited-time and limited-number boxed set form from Glossa. This multi-award-winning cycle set new standards in textual declamation, rhetorical color and harmonic refinement. Also included is the Live in Corsica album of Monteverdi madrigals (2002) and a newly-written essay by original series essayist Stefano Russomanno of which all, along with full texts and translations in PDF form, are also included.
Over the past 5 years, The Future Sound of London have released three A6 booklets, filled with stories of FSOL's past, images and accompanied by 20 mins of music. For the first time, these have now been put these together to form a 1 hour seamless journey.