Cyndi Lauper

A spiritual sequel of sorts to Memphis Blues, Detour finds Cyndi Lauper swapping out blues for country & western. The "western" part of the equation is crucial to Detour, a record equally enamored of cowboy camp as it is of Music City craft and corn…

Grammy and Emmy Award winner Cyndi Lauper burst onto the world stage as the quintessential girl who just wanted to have fun. After more than 25 sterling years and global record sales in excess of 30 million, she has proven that she has the heart and soul to keep her legion of fans compelled by her every creative move…

Cyndi Lauper looks back at her hits on The Body Acoustic, with a number of guests including Adam Lazzara, Shaggy, Sarah McLachlan, Vivian Green, Ani DiFranco, and Jeff Beck. Conceptually, this looks like a disaster. Alanis Morissette did it as well and the results were mixed at best. But Lauper has always possessed a talent that goes beyond the material she has sung – and she can sing anything. The album is produced by Lauper with Rick Chertoff and William Wittman – who recorded and mixed the disc. Lauper's band is a wide and varied assortment that includes contemporary jazz bassist Mark Egan. "Money Changes Everything," with Lazzara, is a down-home calypso and country ramble.

Cyndi Lauper was one of the biggest stars of the early MTV era, selling five million copies of her debut album, She's So Unusual, as well as scoring a string of four Top Ten hits from the record, including the major hits "Girls Just Want to Have Fun" and "Time After Time." Lauper's thin, girlish voice and gleefully ragtag appearance became one of the most distinctive images of the early '80s, which helped lead her not only to the top of the charts, but also to stardom.

As the girl who just wants to have fun, Cyndi Lauper became an '80s music icon with her flamboyant style, powerful baby-doll voice, and quirky songs, but as time and tastes moved on, her playful persona wore thin and attempts at becoming a more serious artist failed to regain her dwindling audience. With At Last, Lauper steps even further away from that playful image to become the girl who just wants to sing as she tackles a set of pop standards that showcase her underrated voice.

In the fall of 1983, a struggling singer from Ozone Park, Queens with audacious vintage style and a riot of candy-colored hair was about to go supernova in the new MTV-dominated music scene: Cyndi Lauper. She's So Unusual was just released and it blazed with a vivid kaleidoscope of styles including new wave, pop, post-punk, girl-group Motown and reggae. It was a perfect complement to Lauper's astonishingly supple voice and the irresistible vibrancy of the songs immediately endeared them to audiences all over the world.

On True Colors, Cyndi Lauper began to edge her way into adult contemporary territory, but it was on her third album, A Night to Remember, that she concentrated all of her attention on becoming a self-consciously "mature" singer/songwriter. A Night to Remember doesn't always work, but not because she's incapable of performing polished, well-crafted middle-of-the-road material – "Time After Time" and "True Colors" prove that she could convincingly deliver ballads. Instead, the album bogs down because it assumes that labored arrangements and precisely detailed production are tantamount to musical sophistication. That said, there are some moments – such as the seductive "I Drove All Night" – that make a lasting impression, illustrating what Lauper was attempting to achieve with the record.

Cyndi Lauper began her career as a playful rebel, and matured into one of the best respected artists in American music. Lauper rose to fame in 1983 with the release of She's So Unusual, an album that provided an ideal showcase for her strong but girlish voice and her thrift-shop-genius personality. The album made her an overnight star and a darling of MTV, spawning two major hit singles ("Girls Just Want to Have Fun" and "Time After Time") and briefly making her a symbol of hip female empowerment on a par with Madonna. While Lauper wasn't truly a new wave artist, her multicolored hair, her eclectic fashion sense, and the implied inclusivity of her musical philosophy – embracing elements of pop, reggae, funk, and dance music – symbolized a free-thinking attitude that cleared a path between the underground and the mainstream.