Caballos

Beside a rain-swollen river in Patagonia, a man approached on a horse. His mount, a rusty red beauty, sported the short-trimmed mane and neatly squared-off tail of a well-kept horse. The man wore goatskin chaps, a woolen poncho, and the jaunty black beret typical of the region. This pair belonged to this place in a way I could only dream of. The man stared at us. We were up to our knees in mud and dwarfed by huge backpacks.

Colectivo donde confluyen diferentes experiencias artísticas, bajo la custodia de sus tres perros guardianes. Todas las canciones fueron compuestas, escritas y producidas por el Hombre de Otro Plano. Grabado y mezclado por el Hombre de Otro Plano en estudio El Taller. Masterizado por Mario Breuer en MCL Records. Arte de tapa: Sol Polansky. Drum Dr: Franco Rodríguez.

After the death of John Coltrane, Alice Coltrane embarked upon a solo career that was marked with the same uncompromising vision, spiritual probing, and formal innovation as that of her husband. Her first seven solo albums were recorded for the Impulse! label, home to John during the latter part of his career; those records, though offering more of the modal jazz with devotional overtones that Coltrane fans had come to cherish, also saw her branch out in unexpected ways, introducing new instruments (harp, Wurlitzer organ), new styles (raga, modern classical), and new approaches to recording, even incorporating classical string sections into a "free" musical environment.