The other major orchestral release here features the Richard Strauss recordings conducted for Sony Classical by Zubin Mehta.
Steve Hillage has always had one eye on the future, experimenting with genres such as ambient and dance before many of his peers, and creating extra-terrestrial guitar sounds throughout his career with Uriel, Khan, Gong and System 7…
De cd Cannonball Adderley: One For Daddy-O is de elfde in de serie Jazz at the Concertgebouw, die het Nederlands Jazz Archief sinds 2007 uitbrengt. De nieuwe cd in onze serie Jazz at the Concertgebouw presenteert twee optredens van altsaxofonist Julian ‘Cannonball’ Adderley in kwintetbezetting.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
57th & 9th is the twelfth solo studio album by British singer-songwriter Sting, his first rock album in 13 years, released on 11 November 2016. The album sold over 600,000 copies worldwide in 2016. Japanese exclusive edition of "57th & 9th" release from Sting additionally includes six Japan only bonus tracks, which are live ones taken from a concert held in November 2016 at Bataclan in Paris and available as CD format for the first time.
Includes the 2012 remaster of the original album, in addition to a rare 1974 quad mix of the album folded down to stereo, plus two concerts from 1970, from Montreux and Brussels. The four-disc set comes with a 68 page hardbound book with extensive liner notes featuring new interviews with all four band members, rare photos, and memorabilia, a poster, as well as a replica of the tour book sold during the Paranoid tour.
‘Sharon…’ is an eclectic soundtrack for the early ‘80s covering post punk, mod revival, ‘60s revival, independent scene, rockabilly/cowpunk, garage, London soul/funk, reggae dub and commercial pop, pre C86 with its looking back and looking forward, and what it isn’t, the extremes of the SAW production line of the late ‘80s and another era entirely.
Born in Majorca c. 1232, three years after the Christian conquest of the island (1229), Ramon Llull had very close contact with Muslim culture. It was not until after he was thirty years old that he gave up his life at court and began to study theology and philosophy. Not long after that, he purchased a Moorish slave in order to learn Arabic. This proximity to the Muslim world gave him an exceptional insight into religion and culture which set him apart from all the intellectuals in the Europe of his day. A tireless traveller, he visited the principal courts of Christendom to rally support for his projects, and he did so while engaging in an intense missionary activity to convert Jewish and, above all, Muslim unbelievers.