Calvin Hollywood

Wer will, der kann!: Wie du deine Ziele schneller und einfacher erreichst  eBooks & eLearning

Posted by IrGens at Nov. 22, 2020
Wer will, der kann!: Wie du deine Ziele schneller und einfacher erreichst

Wer will, der kann!: Wie du deine Ziele schneller und einfacher erreichst von Calvin Hollywood
Deutsch | 24. September 2018 | ISBN: 3947619006 | EPUB | 240 Seiten | 11.8 MB

Bad Boy of Gospel Music: The Calvin Newton Story (Repost)  eBooks & eLearning

Posted by insetes at July 30, 2018
Bad Boy of Gospel Music: The Calvin Newton Story (Repost)

Bad Boy of Gospel Music: The Calvin Newton Story By Russ Cheatham
2003 | 342 Pages | ISBN: 8065534155 | PDF | 2 MB

Margot Robbie - Calvin Klein Deep Euphoria Fragrance 2016  Girls

Posted by nrg at Feb. 17, 2020
Margot Robbie - Calvin Klein Deep Euphoria Fragrance 2016

Margot Robbie - Calvin Klein Deep Euphoria Fragrance
6 jpg | up to 3840*2560 | 2.0 MB
Australian actress
Vom Kunden zum Fan: Der Kunde kommt zu uns, weil er muss bzw. etwas braucht, der Fan kommt zu uns, weil er möchte (Repost)

Calvin Hollywood, "Vom Kunden zum Fan: Der Kunde kommt zu uns, weil er muss bzw. etwas braucht, der Fan kommt zu uns, weil er möchte"
Deutsch | ASIN: B01LLN6M6U | 2016 | mp3 | 149 MB

Calvin Keys - Shawn-Neeq (1971) {Black Jazz}  Music

Posted by tiburon at Jan. 26, 2018
Calvin Keys - Shawn-Neeq (1971) {Black Jazz}

Calvin Keys - Shawn-Neeq (1971) {Black Jazz}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 400dpi | 280MB + 5% Recovery
MP3 CBR 320 Kbps | 125MB + 5% Recovery
Genre: Jazz-Funk, Fusion

We're not sure what the title means originally, but over the past few decades, it's come to stand for some heavy heavy guitar work from the legendary Calvin Keys! Keys has a very unique touch here – a mix of open chords and tighter lines – beautifully wrapping up a history of soul jazz guitar that stretches back to the early 60s – then propelling things forward with loads of righteous 70s spiritual jazz energy! The set also features loads of sweet keyboards – played by Larry Nash, and mixed with flute and "hose-a-phone" from Owen Marshall – set to grooves from Lawrence Evans on bass and Bob Braye on drums. A stone classic from the Black Jazz label – and titles include "Gee Gee", "BK.", "BE", and "Shawn-Neeq".

Calvin Richardson - Country Boy (1999) {Japan 1st Press}  Music

Posted by popsakov at Nov. 17, 2020
Calvin Richardson - Country Boy (1999) {Japan 1st Press}

Calvin Richardson - Country Boy (1999) {Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 393 Mb | MP3 CBR320 ~ 150 Mb
Full Scans ~ 87 Mb | 01:02:12 | RAR 5% Recovery
R&B, Soul, Neo Soul | Universal Victor, Inc. #MVCU-24055

Calvin Richardson made a small impression as part of the short-lived mid-'90s urban group Undercover, whose smooth contemporary soul showed the influence of Jodeci, childhood friends of Richardson. So, it shouldn't come as a great surprise that Country Boy, his 1999 solo debut, also recalls Jodeci (it even features K-Ci on the opening track, "I'll Take Her"). To Richardson's credit, he does show signs of developing his own vocal style, even if the music either is too close to Jodeci for comfort, or a little too generic. That said, there are several very strong songs – inlcuding the single "True Love," which features Chico DeBarge, and the Monifah duet "Close My Eyes" – that keep Country Boy enjoyable, even when it sounds a little samey.
Derek Bailey/Jamaaladeen Tacuma/Calvin Weston - Mirakle (2000) {Tzadik}

Derek Bailey/Jamaaladeen Tacuma/Calvin Weston - Mirakle (2000) {Tzadik}
EAC Rip | FLAC with CUE and log | scans | 414 mb
MP3 CBR 320kbps | RAR | 163 mb
Genre: experimental rock, avant-garde, free funk, free improvisation

Mirakle is a 2000 album by adventurous jazz artists Derek Bailey, Jamaaladeen Tacuma and Calvin Weston. This was released bh Tzadik Records.

Calvin Johnson Jr. - Native Son (2013)  Music

Posted by Domestos at May 25, 2018
Calvin Johnson Jr. - Native Son (2013)

Calvin Johnson Jr. - Native Son (2013)
EAC Rip | FLAC (tracks+.cue, log) ~ 234.94 Mb | 42:08 | Cover
Dixieland, Swing | Country: USA | Label: Alma Records - 888295001304

On Calvin Johnson’s 2012 debut, Jewel’s Lullaby, the then-27-year-old New Orleanian blew tenor saxophone on modern-jazz material backed by a band of his peers. This time out, Johnson picks up the soprano saxophone to perform a program of traditional jazz with an ensemble primarily filled with veteran players. The reedman, who comes from a musical family that includes his equally versatile late uncle (saxophonist/clarinetist Ralph Johnson), has long felt at home and is adept in both styles.
Billy Martin/Grant Calvin Weston/DJ Logic - For No One In Particular (2003) {Amulet} **[RE-UP]**

Billy Martin/Grant Calvin Weston/DJ Logic - For No One In Particular (2003) {Amulet}
EAC Rip | FLAC with CUE and log | scans | 399 mb
MP3 CBR 320kbps | RAR | 141 mb
Genre: free jazz, turntablism

For No One In Particular is a 2003 free jazz album by Billy Martin, Grant Calvin Weston and DJ Logic. Martin is 1/3 of jazz trio Medeski, Martin & Wood, Weston is known for his work with James Blood Ulmer and has done collaborations with Martin, and DJ Logic was a member of Eye & I before becoming an unofficial 4th member of Medeski, Martin & Wood when they were signed to Blue Note. This album combines jazz with free form turntablism.

Calvin Keys - Electric Keys (2013) {Wide Hive WH-0313}  Music

Posted by ruskaval at Sept. 18, 2017
Calvin Keys - Electric Keys (2013) {Wide Hive WH-0313}

Calvin Keys - Electric Keys (2013) {Wide Hive WH-0313}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 2013 Wide Hive Records | WH-0313
Jazz / Soul Jazz / Post Bop / Jazz Blues / Jazz Funk / Guitar

Calvin, best known for his work with Ray Charles and Aahmad Jamal, returns with his first solo album in seven years. On 'Electric Keys' Calvin adeptly navigates straight ahead, Funk, and Blues, all the while maintaining the quintessential Calvin touch for which he is well-respected. Soul jazz is alive and well. With a sound that updates Wes Montgomery‘s fluid lines and combines that style with a head-nodding groove that will be familiar to fans of boogaloo revivalists such as The New Mastersounds and Soulive, Keys is in fact the real deal. Having cut his teeth as an able sideman to the likes of Ahmad Jamal and Jimmy Smith, Keys’ career releasing albums under his own name only began in earnest relatively recently; though 1997’s Standard Keys was his fifth album, the previous four were released across a span of some sixteen years.