Vibrations is an album by vibraphonist Milt Jackson featuring performances recorded in 1960 and 1961 and released on the Atlantic label in 1964.
That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
In composing the music for With Peter Bradley, a brilliant new documentary on the abstract painter directed by Alex Rappoport, saxophonist Javon Jackson is also painting a series of pictures. The original music from the documentary, released on his own Solid Jackson Records, is like a full exhibit, an extended play expression of the lightheartedness and verve of the enigmatic Peter Bradley.
From New Orleans to Harlem. The most important recordings of the golden age. Mit King Oliver, Jelly Roll Morton, Louis Armstrong, Johnny Dodds, Jimmie Noone, Sidney Bechet, Bix Beiderbecke, Duke Ellington, Fletcher Henderson, Earl Hines, Jack Teagarden, Red Nichols, Clarence Williams, Muggsy Spanier, Frank Teschemacher, Adrian Rollini u.a. 100-CD-Box with original recordings. From the early days to the late 1950s, the highlights of Swing are presented on these 100 CDs.
One of the hippest Milt Jackson albums of the 60s – a set that definitely lives up to its Museum Of Modern Art setting! The performance is one of the most famous from that museum's well-remembered series of 60s jazz concerts – and it features Milt Jackson's quintet really stretching out nicely – hitting sharper tones and bolder notes than in some of their other sessions of the decade, and possibly picking up a freer feel overall in the live setting. Milt's vibes are wonderfully accompanied by the reeds of Jimmy Heath and piano of Cedar Walton – both players who mix soul and modern elements in the same sort of perfect blend that Jackson hits. And the rhythm section is tightly snapping and soulful – never too groove-oriented, but always conscious of a sense of a swing – thanks to bass from Ron Carter and drums from Candy Finch.
Summer 1988 and as Acid House raged across the UK pockets of resistance began springing up delicated to a very different beat. Inspired by Hip-Hop, Jazz and a wealth of Soul and Funk recordings stretching back to the 60's America, young musicians breathed life into old sounds, recorded new ones and set about spreading their message worldwide. Soul Jazz Sessions celebrates those bands, producers, and DJ's who took the next step into the studio and produced some dancefloor magic in the process.