Cambridge Collection

A collection of Easter music sung sung by the Choir of King’s College Cambridge in the famous Chapel and made available as an audio album for the first time. Taken from the BBC’s 2020 Easter broadcast, these recordings capture the Choir of King’s College, Cambridge under the direction of Daniel Hyde, performing for his first Easter from King’s since taking up the post of Director of Music. Highlights include a selection of movements from Charles Wood’s St Mark Passion, as well as much-loved Easter music by Bob Chilcott, Bainton, Casals and Duruflé.

A wonderful collection of the favourite and most popular carols for the Christmas season, performed by the world-famous Choir of King’s College, Cambridge. This collection comes with additional core-classical Christmas music by Berlioz, Bach, Britten…

For many, Christmas wouldn’t be Christmas without the sound of carols sung from King’s College Chapel, and each year over the festive period millions around the world enjoy the Choir’s A Festival of Nine Lessons & Carols. This two-part collection celebrates 100 years of the iconic service with a mix of brand-new performances and historical recordings not heard since the original BBC broadcasts.

A glorious collection of choral music by British composers, recorded live during services of Choral Evensong in King’s College Chapel. Popular anthems like Hubert Parry’s I was glad and Patrick Hadley’s My beloved spake are included alongside settings of the Magnificat and Nunc dimittis through the centuries. Included here are settings from Byrd’s Great Service and Weelkes’ Short Service, alongside Stanford’s setting in G and William Mathias’ Jesus College Service. Recorded between the summers of 2018 and 2019, this selection presents music from Stephen Cleobury’s last year as Director of Music at King’s College after 37 years in post.

When King’s College, Cambridge was founded by King Henry VI in 1441, careful provision was made for a choral foundation of sixteen men and sixteen choristers to sing daily services in the Chapel. English worshippers of the late fifteenth and early sixteenth centuries were generous when it came to music, making regular donations and bequests to churches and monasteries, so that masses could be sung for the salvation of their souls. It is no coincidence that the music of this era should therefore have reached new heights of richness and complexity; indeed, England was home to some of the most elaborate polyphony composed anywhere in Europe.

John Taverner (1490-1545) and William Byrd (1540-1623) born a generation apart, both hailed from Lincolnshire, and left a collection of choral works that rank (with that of Thomas Tallis) as some of the finest of its age, or indeed any other. Both men worked in turbulent times, the older Taverner grew up during the reign of Henry VII, and became Informator Choristarum at Cardinal College, Oxford, Cardinal Wolsey's new college in the university. Here Taverner recruited 16 boys and 12 men for the choir.

Proud Songsters is a journey through the distinctive musical genre of English Song. This collection of 20 songs – familiar and lesser known – are performed by some of the finest former members of the Choir of King’s College, Cambridge with one of this generation’s most exceptional pianists. Each of the nine alumni featured on this album sang as young adults at King’s, alongside pianist Simon Lepper, a graduate of King’s. The songs included on the album span settings of Shakespeare songs, those of prominent 20th Century composers Vaughan Williams, Britten, Finzi, Clarke and Howells through to contemporary works by Jonathan Dove, Iain Bell and Celia Harper. The album includes a specially-commissioned essay on the works by Stephen Banfield, and the CD includes a special bonus track sung by Gerald Finley and Christopher Keyte.