Camera.raw

As a photographer, you have two options to take photos: JPG and RAW. Regardless of which you choose, you’re going to need a consistent and fast way to color correct, adjust, sharpen and make your photos look their best. Camera Raw is it! Join NAPP Instructor Matt Kloskowski as he walks you through all the buttons, options, and sliders in Camera Raw for Photoshop CS6. At the end of the course you’ll be a master at Camera Raw and you’ll know exactly how to handle any photo you come across.

Call it a control thing, but until recently–or, more specifically, until the availability of digital raw camera formats–you simply weren't ready to make the move to digital photography. Raw formats, however, changed all of that by allowing you to retrieve images before any in-camera processing has been performed. Photoshop's Adobe Camera Raw plug-in makes that process even easier by providing a standardized way of accessing and working with these uncompressed digital negatives in your favorite image-manipulation software. In the first volume devoted exclusively to the topic, best-selling author Bruce Fraser shows you how to take advantage of Adobe Camera Raw to set white balance …

Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative is devoted exclusively to the topic and shows you how to make the most of that control to extract the best-possible raw rendering of your digital negatives and to use Photoshop to achieve the highest quality in your images.

Call it a control thing, but until recently–or, more specifically, until the availability of digital raw camera formats–you simply weren’t ready to make the move to digital photography. Raw formats, however, changed all of that by allowing you to retrieve images before any in-camera processing has been performed. Photoshop’s Adobe Camera Raw plug-in makes that process even easier by providing a standardized way of accessing and working with these uncompressed digital negatives in your favorite image-manipulation software. In the first volume devoted exclusively to the topic, best-selling author Bruce Fraser shows you how to take advantage of Adobe Camera Raw to set white balance, optimize contrast and saturation, handle noise, correct tint, and recover lost detail in images before converting them to another format. After learning about the raw formats themselves, you’ll discover hands-on techniques for exposing and shooting for digital raw, using Bridge, Adobe’s new standalone file browser, to preview images and automate tasks, and building a workflow around the digital raw process.