Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions…
Throughout the '70s, musical trends would come and go, but Steely Dan always remained true to their own blend of Jazz, Pop and Rock. The songs were clever and melodic, the musicianship was top notch and the production was stellar. The band, led by Donald Fagen and Walter Becker, were adored by musicians and non-musicians alike and even the critics eventually warmed up to them. While the band called it a day in 1980 (reuniting a decade and a half later), their fan base continued to grow and their original albums became prized possessions in record collections everywhere. This triple disc collection contains 47 tracks including hits and album tracks released 1972-80. Features 'Do It Again', 'Peg', 'Reelin' in the Years', 'Rikki Don't Lose That Number', 'FM', and many others.
Released to Top Ten success in the Netherlands, Collected is a triple-disc compilation of Steely Dan highlights from 1972 to 1980. It's not technically a greatest-hits collection because Steely Dan never scored many hit singles (for instance, only three of their singles ever reached the Top Ten in the U.S.), yet all of the 47 tracks compiled here are great, starting with the band's 1972 breakout hit "Do It Again."
The release of ‘Sun Mountain' completes the three volume set released on the Thunderbolt label and featuring the early work of Walter Becker and Donald Fagen (see also 'Old Regime' CDTB 040 and 'Stone Piano' CDTB 054). The first nine tracks on this release represent the first known recordings by the duo. Prominent throughout are the distinctive lead vocals and keyboard skills of Donald Fagen with Walter Becker providing the bass line and occasional harmonies. These have been compiled with four tracks each from the earlier two releases. The first four of these are taken from 'Stone Piano' and clearly illustrate the development of artists towards a more complex instrumental backing for their compositions. The second four tracks are taken from ‘Old Regime' and show the full development of the artists who, by this time, are working with an array of fellow musicians including John Discepolo and Kenny Vance on drums, Elliot Randall on guitar, and Denny Dias on bass.
On the positively baked Gentle Spirit, from 2011, Jonathan Wilson offered a stellar update of the early-'70s Laurel Canyon sound. For Fanfare, he is obviously inspired by the production techniques of that decade on both sides of the Atlantic. This is one of the most delightfully ornamented recordings to come down the pipe in quite some time. Its sound is so warm and inviting, it almost proves a distraction from the songs. Wilson's guest list is impressive: David Crosby, Graham Nash, Jackson Browne, Benmont Tench, Mike Campbell, and others contribute…
The band Steely Dan - in essence the musicianship and songwriting team of Walter Becker and Donald Fagen - has long divided the critics : some have marvelled at a highly imaginative blend of intelligent, "literary" lyrics and a carefully crafted influence of jazz and Latin rhythms within the rock template, whilst others have detected a certain coldness in the work, due perhaps to over-elaboration and perfectionism. Of course, deciding to name your b.nd after a dildo in William Burroughs's cult novel Th Naked Lunch will invite criticism , but none of those who questioned Steely Dan's Status at the top of the tree of 70s rock could ever seriously dispute the immaculate execution of their vision.