Can Landed (1975)

Mott the Hoople were one of the great also-rans in the history of rock & roll. Though Mott scored a number of album rock hits in the early '70s, the band never quite broke through into the mainstream. Nevertheless, their nasty fusion of heavy metal, glam rock, and Bob Dylan's sneering hipster cynicism provided the groundwork for many British punk bands, most notably the Clash. At the center of Mott the Hoople was lead vocalist/pianist Ian Hunter, a late addition to the band who developed into its focal point as his songwriting grew.

Mott the Hoople were one of the great also-rans in the history of rock & roll. Though Mott scored a number of album rock hits in the early '70s, the band never quite broke through into the mainstream. Nevertheless, their nasty fusion of heavy metal, glam rock, and Bob Dylan's sneering hipster cynicism provided the groundwork for many British punk bands, most notably the Clash. At the center of Mott the Hoople was lead vocalist/pianist Ian Hunter, a late addition to the band who developed into its focal point as his songwriting grew.

Rock & Roll Hall of Fame inductees Booker T. & the MG's originally served as the house band for Stax Records in Memphis, Tennessee. They became one of the most important, enduring factors in the label's sound and helped define the sound of Southern soul genre in the 1960s. Their tight, impeccable, funky grooves could be heard on classic hits by Otis Redding, Wilson Pickett, Carla Thomas, Albert King, and Sam & Dave among many others.

Initially a British folk-rock combo called Tyrannosaurus Rex, T. Rex was the primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). T. Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads…

Aswad is arguably Britain's most successful reggae band, in terms of both popularity and longevity. Critical opinion of their body of work is often divided. Some hail their early material as the greatest roots reggae Britain ever produced, beginning with their 1975 self-titled debut, which highlighted the plight of the immigrant Jamaican in the unfamiliar and often hostile environment of '70s London. Others find their later pop-crossover phase more distinctive and unique, when they shifted to funk and soul, resulting in the U.K. chart-topper "Don't Turn Around." Regardless, Aswad's ability to adapt themselves to the changing times – new musical trends, shifting personnel – was ultimately the driving force behind their decades-long career.

"Voyage", to Pierre Vassiliu, was not only the title of an album of his, but also a philosophy of life. Travels were not for vacation or rest. They were synonyms of meetings, new music and sometimes, simply, life. These experiences around the world nourished his work, and his career allowed him to set foot on every continent. But his most beautiful travels took place in recording studios.