If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly!
The ’60s would continue to be Cannonball Adderley’s most fruitful period, recording no fewer than 28 albums under his own name by the end of the decade…
Cornetist Nat Adderley's music has not developed much since his years with Cannonball Adderley, but the playing on this CD is of such a high level that one really does not mind. Adderley's chops sound better than usual for the period as he teams up with altoist Antonio Hart (who hints at Cannonball while giving the music his own approach), pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb. The nine songs include six from the Cannonball days, including a version of the title cut that gets beyond the melody for some fine solos, as well as a catchy original apiece by Hart and Bargad, and the standard "On the Sunny Side of the Street." Excellent hard bop.
One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.
The great alto sax player Julian "Cannonball" Adderley and his cornet player brother Nat first recorded together for Savoy in 1955. And it is those "Summer of '55" sessions that form the basis of this double cd collection.
The Adderley Brothers went on to produce the massively popular jazz hits "Mercy Mery" and "World Song" plus classic albums such as "Nippon Soul". "Cannonball" Adderley developed a considerable career as an alto player in his own right, and his abilities as a player are quite clearly demonstrated on this double cd of mid-fifties recordings. He later went on to record albums under his own name with the pianist Bill Evans and of course "Kind of Blue". This Miles Davis album now ranks as the best selling jazz album of all time, and "Cannonball's" contribution to its success is legendary…