Leslie Howard's recordings of Liszt s complete piano music, on 99 CDs, is one of the monumental achievements in the history of recorded music. Remarkable as much for its musicological research and scholarly rigour as for Howard's Herculean piano playing, this survey remains invaluable to serious lovers of Liszt. Every known note of Liszt's piano music has been recorded and is included here: Leslie Howard's 57 original volumes plus the further 3 supplements. GUINNESS WORLD RECORD for the world s largest recording series by a solo artist.
Celebrating the 60th anniversary of Glenn Gould’s legendary Goldberg Variations.
Glenn Gould Remastered – The Complete Album Collection refurbishes Gould’s complete approved studio recordings using state-of-the-art Direct Stream Digital (DSD) transfer and 24 bit/96 kHz mastering technology in a 81 CDs limited edition. The 416 page book includes complete original liner notes (many penned by Gould himself), a wealth of facsimile documents, rare photographs, full discographical information, and a newly commissioned introductory essay by Gould scholar and biographer Kevin Bazzana.
…If you haven’t heard this music, let’s just say that Zelenka wrote some of the most enjoyable and colorful music of the Baroque era, and he is supremely well served by CPO’s engineers, conductor Sonnentheil, and his New-Eröffnete Orchestre.
…If you haven’t heard this music, let’s just say that Zelenka wrote some of the most enjoyable and colorful music of the Baroque era, and he is supremely well served by CPO’s engineers, conductor Sonnentheil, and his New-Eröffnete Orchestre.
Until this release on Garden of Delights, the one and only LP of the Fürth-based band Da Capo couldn’t be heard yet on CD. Only 500 copies had been made then and half of them were destroyed. Thus, today the disc belongs to the most expensive three or four German rock records ever. But it doesn’t sound that very German at all. Its sound is more like West Coast, brand Grateful Dead, Quicksilver Messenger Service or Jefferson Airplane. The LP’s reviews reached from trivial to great. Legitimate re-releases on LP were the 1988 edition on Little Wing of Refugees (although in a completely different cover) and the 2004 edition on Amber Soundroom. The available release on Garden of Delights (hopefully) is everything you could possibly wish for concerning its representation.
Luca Francesconi is one of the most prominent Italian composer of his generation with a substantial and varied output to his credit. The release under review provides a good idea of his output although all the works recorded here are already some ten or twenty years old. Da Capo (1986) for small ensemble is the earliest work here and is probably one of Francesconi’s best-known and most popular. It is not difficult to understand why. It is a brilliantly scored, colourful piece full of nice instrumental touches and lively rhythms, although it opens and ends in a rather subdued manner. The other works were all composed at about the same time: between 1994 and 1995. They, too, display a considerable variety of means and moods. Etymo is the most substantial both in length and in content. The title, Etymo (as in etymology) is about the search for the origin and development of language. It sets texts from various poems from Baudelaire’s Les Fleurs du Mal for soprano, large ensemble and electronics. The final words are drawn from Baudelaire’s Carnets intimes.