Carl Czerny Nikos Athinäos

Brandenburgisches Staatsorchester Frankfurt, Nikos Athinäos - Josef Rheinberger: Symphonic Works (2010)

Brandenburgisches Staatsorchester Frankfurt, Nikos Athinäos - Josef Rheinberger: Symphonic Works (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 124:44 | 544 MB
Genre: Classical | Label: Christophorus | Catalog: CHE 0153-2

This two-CD package brings together several orchestral works and two choral pieces by nineteenth century Germanic composer Josef Rheinberger (1839-1901). Born in Liechtenstein but resident most of his life in Germany, Rheinberger wrote only two symphonies, and is known today more for his chamber music and religious works. The first CD comprises Wallenstein, described by the composer as a symphonic tone painting in four movements.
Makoto Ueno, Kazunori Seo - Carl Czerny: Music for Flute and Piano (2015)

Carl Czerny - Music for Flute and Piano (2015)
Makoto Ueno (Piano), Kazunori Seo (Flute)

EAC | FLAC | Image (Cue&Log) ~ 292 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573335 | Time: 01:18:18

Virtuoso pianist Carl Czerny was a pupil and friend of Beethoven in Vienna. His prodigious output as a composer included numerous sets of variations on operatic themes, both with orchestra [Naxos 8.573254] and, as with the Trois Rondeaux, Op. 347 on themes by Rossini and Bellini, in the form of entertaining chamber music. With its cadenza and technical flourishes the Introduction, Variations and Finale, Op. 80 is composed in true concerto style, while the elegance and refined artistry of the Rondoletto and Duo concertant are both characteristic of a Classical master whose works have only recently started to gain wider recognition.
Grzegorz Nowak, SWR Rundfunkorchester Kaiserslautern - Carl Czerny: Symphonies Nos. 2 & 6 (2006)

Grzegorz Nowak, SWR Rundfunkorchester Kaiserslautern - Carl Czerny: Symphonies Nos. 2 & 6 (2006)
EAC | FLAC | Image (Cue & Log) ~ 356 Mb | Total time: 73:41 | Scans included
Classical | Label: Hänssler Classic | # CD 93.169 | Recorded: 2004

Despite his amazingly prolific output, Czerny evidently did not aim to be original at all. He produced music going back and forth stylistically between Beethoven, Schubert, Schumann, Mendelssohn, and other contemporaries with amazing flexibility. It is this very flexibility that gives these two symphonies their unique charm and justifies rescuing Czerny’s concert music for the long neglect it has suffered for so many years.
Rosemary Tuck, English CO, Richard Bonynge - Carl Czerny: Grand Concerto in A minor; Grand Nocturne Brillant (2016)

Carl Czerny - Grand Concerto in A minor; Grand Nocturne Brillant;
Variations de Concert de l'Opéra "Le Siège de Corinthe" (2016)
Rosemary Tuck, piano; English Chamber Orchestra, conducted by Richard Bonynge

EAC | FLAC | Image (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 165 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.573417 | Time: 01:06:13

Carl Czerny, one of Vienna’s most illustrious musicians, was Beethoven’s student and devoted friend. Renowned today for his piano treatises, he was also a prolific composer in almost every genre, but it is the music for his own instrument that has aroused the most curiosity. The Grand Concerto in A minor, a work both serene and spirited, is historically important as one of the first romantic concertos ever written. The lyricism and playful bravura of the Grand Nocturne Brillant is balanced by the delicious Rossini Variations de Concert.
Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)

Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)
XLD | FLAC | Image (Cue & no Log) ~ 252 Mb | Total time: 73:10 | Scans included
Classical | Label: Hyperion | # CDA68138 | Recorded: 2015

Active in every genre other than opera, Carl Czerny is largely remembered for the numerous piano studies he wrote as pedagogical aids. Howard Shelley's advocacy of his three overlooked virtuoso works for piano and orchestra is a welcome reminder of this composer's greater appeal. Alongside the Piano Concerto in A minor Op.214 are two premiere recordings of his Piano Concerto in F major Op.28 and Rondo Brillant in B flat major Op.233.
Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)

Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)
XLD | FLAC | Image (Cue & no Log) ~ 252 Mb | Total time: 73:10 | Scans included
Classical | Label: Hyperion | # CDA68138 | Recorded: 2015

Active in every genre other than opera, Carl Czerny is largely remembered for the numerous piano studies he wrote as pedagogical aids. Howard Shelley's advocacy of his three overlooked virtuoso works for piano and orchestra is a welcome reminder of this composer's greater appeal. Alongside the Piano Concerto in A minor Op.214 are two premiere recordings of his Piano Concerto in F major Op.28 and Rondo Brillant in B flat major Op.233.
Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)

Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)
XLD | FLAC | Image (Cue & no Log) ~ 252 Mb | Total time: 73:10 | Scans included
Classical | Label: Hyperion | # CDA68138 | Recorded: 2015

Active in every genre other than opera, Carl Czerny is largely remembered for the numerous piano studies he wrote as pedagogical aids. Howard Shelley's advocacy of his three overlooked virtuoso works for piano and orchestra is a welcome reminder of this composer's greater appeal. Alongside the Piano Concerto in A minor Op.214 are two premiere recordings of his Piano Concerto in F major Op.28 and Rondo Brillant in B flat major Op.233.
Consortium Classicum - Carl Czerny: Nonet & Grande Sérénade Concertante, Op. 126 (1994)

Consortium Classicum - Carl Czerny: Nonet & Grande Sérénade Concertante, Op. 126 (1994)
EAC | FLAC | Image (Cue & Log) ~ 225 Mb | Total time: 62:09 | Scans included
Classical | Label: MDG | # MDG 301 0518-2 | Recorded: 1994

Czerny’s name, even during his own lifetime, became known to the public more as a pedagogue than as a composer worthy of serious consideration. Little has changed up to the present day as his reputation is associated with dreadful memories of piano lessons even though his value and considerable legacy to piano teaching cannot be overestimated.
Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)

Howard Shelley, Tasmanian Symphony Orchestra - The Romantic Piano Concerto Vol. 71: Carl Czerny: Piano Concertos (2017)
XLD | FLAC | Image (Cue & no Log) ~ 252 Mb | Total time: 73:10 | Scans included
Classical | Label: Hyperion | # CDA68138 | Recorded: 2015

Active in every genre other than opera, Carl Czerny is largely remembered for the numerous piano studies he wrote as pedagogical aids. Howard Shelley's advocacy of his three overlooked virtuoso works for piano and orchestra is a welcome reminder of this composer's greater appeal. Alongside the Piano Concerto in A minor Op.214 are two premiere recordings of his Piano Concerto in F major Op.28 and Rondo Brillant in B flat major Op.233.
Yaara Tal, Andreas Groethuysen - Carl Czerny: Piano Music for Four Hands (2008)

Yaara Tal, Andreas Groethuysen - Carl Czerny: Piano Music for Four Hands (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 01:10:14 | 240 MB
Genre: Classical | Label: Sony Classical | Catalog: 45936

Of all the composers whose names are far better known than their music, Czerny must be the most famous. Czerny? Oh yes, he was the chap who wrote those 'velocity exercises', the medicine pianists must take if they are to get better. True, but that wasn't all, his opus numbers leave little change out of 850! So why the neglect? Maybe there are two reasons. First, as a pupil of Beethoven, a teacher of Liszt and a contemporary of Schubert, he was born at the wrong time, surrounded by compositional giants. Second, it was his large output of didactic works and his eminence as a teacher that shaped his image, and his emphasis on technical brilliance was not always helpful to the balance of his music.