If a new George Freeman album is always a blessing, then what is a new George Freeman album featuring two world class backing bands? That’s the riddle we’ll need to solve as we spend more time with his newest CD, The Good Life. George is joined on the first half of the album by Joey DeFrancesco and Lewis Nash and on the second half of the disc, by Christian McBride and Carl Allen. These songs, five by George, and two standards (“If I Had You” and “The Good Life”) are all beautifully played, with George’s brilliant tone and musical ideas front and center on “Mr. D” (George’s tribute to Joey DeFrancesco). “1,2,3,4” has a Chicago to New Orleans groove happening that is slick and fun, and that tone with Christian McBride’s big bass notes? That’s a good time, indeed.
Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
Limited to 5000 copies. Paper sleeve. COLD SWEAT, James Brown's fifth and last album release of the year was released Sept. 12, 1967 as KING KS-1020 in stereo. It was preceded by JAMES BROWN Plays The Real Thing and followed by JAMES BROWN Presents His Show Of Tomorrow. The album was released in England, Germany, Colombia and New Zealand as MR. SOUL with a different cover. The indelible title cut, with it's exhortations of "Maceo!" and "give the drummer some!" has also been sampled numerous times, for example PUBLIC ENEMY's "Welcome To The Terrordome."