Carrier Aircraft (the Classic Jet Era)

John Coltrane - The Classic Quartet: Complete Impulse! Studio Recordings (1998) {8CD Set GRP IMPD8-280}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.38 Gb | MP3 @320 -> 1.20 Gb
Full Artwork @ 300 dpi (png) -> 513 Mb | 5% repair rar
© 1998 GRP Records / Impulse! | IMPD8-280
Jazz / Avant-Garde Jazz / Modal Music / Free Jazz / Saxophone

Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.

Ahmad Jamal Trio - The Classic 1958-1962 Recordings (2013) {5CD Set Jazz Dynamics 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.94 Gb | MP3 @320 -> 972 Mb
Full Artwork @ 300 dpi (png) -> 129 Mb | 5% repair rar
© 1958-62, 2013 Jazz Dynamics | Jazz Dynamics 006
Jazz / Cool / Post Bop / Piano

This release compiles all of the originally issued recordings made by the classic Ahmad Jamal Trio with Israel Crosby and Vernel Fournier between 1958 and 1962 (Crosby died on August 11, 1962 at the age of 43). Included here are the legendary club performances taped in 1958 at the Pershing Lounge, in Chicago, as well as the subsequent sets recorded at the Spotlight, the Alhambra and the Blackhawk, plus various other sessions. This was the music that made Jamal famous. As a bonus, nine earlier versions of tunes from our set recorded by different formations of the Jamal trio.

By the end of the 70s and beginning of the 80s, R.E.O. Speedwagon had won the hearts, minds and airwaves of continental North America. This hard won ascendance was comprehensively documented on the 8CD “Early Years 1971-1977” collection from HNE.

Legacy’s The Classic Albums Collection 1974-1983 should provide endless hours of arena/prog/AOR-pop bliss for fans of Kansas, as it features ten of the band’s career-defining albums, including an expanded edition of the live album Two for the Show. Each studio album (Kansas, Song for America, Masque, Leftoverture, Point of Know Return, Monolith, Audio Visions, Vinyl Confessions, and Drastic Measures) has been remastered and peppered with bonus cuts, and all of the original album artwork has been lovingly reproduced. Best of all, the box set is priced to move. Kansas is an American rock band that became popular in the 1970s initially on album-oriented rock charts and later with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". The band has produced nine gold albums, three multi-platinum albums (Leftoverture 6x, Point of Know Return 4x, The Best of Kansas 4x), one other platinum studio album (Monolith), one platinum live double album (Two for the Show), and a million-selling single, "Dust in the Wind".

The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz.