Cat Stevens was one of the most popular artists of the '70s. Mobile Fidelity Sound Lab is very proud to present this numbered, limited-edition 3-disc box set containing the hard-to-find Izitso and two titles exclusive to Mobile Fidelity: Back To Earth and Numbers.
Numbers (1975). Subtitled "A Pythagorean Theory Tale," Numbers was a concept album relating to a faraway galaxy, a planet called Polygor, a palace, and its people, the Polygons. The songs presumably told the tale, but as with so many concept albums, listening to Numbers was like hearing a Broadway cast album without having seen the show - something seemed to be going on, but it was hard to tell what…
Even as a serious-minded singer/songwriter, Cat Stevens never stopped being a pop singer at heart, and with Teaser and the Firecat he reconciled his philosophical interests with his pop instincts…
Even as a serious-minded singer/songwriter, Cat Stevens never stopped being a pop singer at heart, and with Teaser and the Firecat he reconciled his philosophical interests with his pop instincts. Basically, Teaser's songs came in two modes: gentle ballads that usually found Stevens and second guitarist Alun Davies playing delicate lines over sensitive love lyrics, and uptempo numbers on which the guitarists strummed away and thundering drums played in stop-start rhythms…
Completists will be happy to own many of the rarities on this four-disc set, including Stevens's first demo session, an unreleased 1970 duet with Elton John, a cover of Fats Domino's "Blue Monday," and several choice live cuts from the late '70s. And it's nice to have an overview of the artist's entire career–from late '60s pop-star wannabe to '70s folk-rock superstar–in one place. But the difference between early Cat Stevens (despite composing hits for others) and post-Tea for the Tillerman Stevens is substantial. The two follow-up LPs were part of a trilogy of brilliance–both musically and lyrically–and any Stevens collection must start there. Nevertheless, surprises and some gems are to be found throughout all four discs–even his most recent recording (as Yusuf Islam) isn't bad. This box set also offers a choice opportunity to reassess a deserving career. (All royalties go to New York City relief victims and orphans and homeless families in underdeveloped countries.)
It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner.
It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner.
Remember Cat Stevens: The Ultimate Collection features 24 tracks culled from the popular singer/songwriter’s '60s and '70s heydays, including radio staples like “Moonshadow,” “Wild World,” “Morning Has Broken,” and “The First Cut Is the Deepest,” as well as fan favorites “Another Saturday Night,” “Here Comes My Baby,” “Oh Very Young,” and the Harold & Maude classics "Where Do the Children Play” and “If You Want to Sing Out, Sing Out.” …