Cat Stevens quietly retired from his career as a pop star after the release of 1978's Back to Earth to pursue a spiritual path. Stevens became a devout Muslim and adopted the name Yusuf Islam, quietly making spiritually oriented recordings but avoiding the mainstream, especially after the controversy that followed his comments about the fatwa declared against author Salman Rushdie in 1989. However, Yusuf has been quietly inching back into the public eye since he released the album An Other Cup in 2006 and set out on an extensive concert tour documented on the 2009 live disc Roadsinger. Released in 2014, Tell 'Em I'm Gone finds Yusuf in part paying homage to the blues and R&B sounds that inspired him as a young man while also looking back to the canny mixture of pop and folk that informed his best work of the '70s…
50 years since its release, the original motion picture soundtrack for Hal Ashby’s 1971 classic cult film ‘Harold and Maude’, made up exclusively of songs by Cat Stevens, will be released on 11th February 2022 in new 180g 1LP / 1CD via Island / Cat-O-Log / UMC. The new edition of the soundtrack will combine Cat Stevens’ 9 original songs, as well as dialogue from the film, for the first time.
Cat Stevens’ 1971 album Teaser and the Firecat will be reissued in November across five physical formats, including TWO super deluxe editions. The classic album includes songs such as ‘Moonshadow’, ‘Peace Train’, ‘Morning Has Broken’ and ‘The Wind’. It has been remastered at Abbey Road Studios, overseen by original album producer, Paul Samwell-Smith and as with previous reissues, an extensive super deluxe edition is the premium offering.
Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner. The recording itself had been produced by Stevens, and while a couple of Stevens' usual backup musicians had been retained, New York session musicians appeared, and second guitarist Alun Davies was gone. With him went the acoustic guitar interplay that had been the core of Stevens' sound, replaced by more elaborate keyboard-based arrangements complete with strings, brass, and a female vocal trio featuring Patti Austin. It's easy to look at the 18-plus minute "Foreigner Suite" that took up the first side and accuse Stevens of excess and indulgence…
Mona Bone Jakon only began Cat Stevens' comeback. Seven months later, he returned with Tea for the Tillerman, an album in the same chamber-group style, employing the same musicians and producer, but with a far more confident tone…
Buddha and the Chocolate Box is a 1974 album by Cat Stevens. The title came to Stevens when he was travelling to a gig on a plane with a Buddha in one hand and a box of chocolates in the other. He pondered that if he were to die in the plane these would be the last objects with him, and he would be caught between the spiritual and the material. The album leans towards the spiritual path, and is an indication of the direction his life would follow.