Jonas Kaufmann returns to the Italian verismo tradition to sing arias that define opera's most passionate and vulnerable leading men. Kaufmann's international reputation is soaring as, going from strength to strength, he delivers consistently thrilling performances. The onyx-dark beauty of his tone and the refinement and unexpected insights of his delivery mark Jonas Kaufmann a poet of tenors. Timed to coincide with his role debut as Maurizio in Adriana Lecouvreur at Covent Garden opposite Angela Gheorghiu, this disc includes excerpts from the Cilea work that helped put Caruso on the map. This album also entices with rarities from Zandonai's dramatic Giulietta e Romeo and Puccini's Le Villi. Supporting Jonas Kaufmann is Italy's leading symphonic orchestra, the Accademia Nazionale di Santa Cecilia, under its dynamic music director Antonio Pappano. Both maestro and orchestra are utterly at home in this repertoire.
In the words of a survey of nineteenth-century Italian opera, published by the Corriere della sera to mark the turning of the century, Mascagni was "condemned to a masterpiece": after the triumph of Cavalleria rusticana nothing less would do. He lived for another 55 years, and although some of his 14 subsequent operas were immensely successful for a while (he claimed that Iris was better received than Cavalleria, and there was a near-riot of enthusiasm at the premiere of Il piccolo Marat) none was judged by the critics to be the awaited 'masterpiece', and nearly all had fallen from the repertory by the end of his life.
Hear the Tenor of the century! This Franco Corelli CD contains many of his greatest recordings.
This CD box features Maria Callas, the unrivaled "prima donna assoluta," in her parade roles. Especially in Italian bel canto operas of the 18th and 19th centuries, the opera diva could shine like no other. Hear five grandiose recordings from the 1950s and enjoy the unique voice of one of the greatest stars of all time: - Gaetano Donizetti: Lucia di Lammermoor - Vincenzo Bellini: Norma - Giuseppe Verdi: La Traviata - Giacomo Puccini: Tosca - Pietro Mascagni: Cavalleria Rusticana.
Released for the Christmas market, when the "once a year" brigade comes out and buys a record, the debut album by the teenage quartet All Angels hit the Top Ten in the last week of November 2006. However, the competition for classical crossover albums was strong that year, All Angels competing with chart albums from the Fron Male Voice Choir, Katherine Jenkins, Il Divo, and the very similar-sounding Angelis. The momentum could not be sustained, and All Angels disappeared entirely from the chart even before Christmas week. This album mixed arrangements of classical repertoire, mainly the more popular and well-known end, with soft MOR pop songs.
Without a doubt, most of Herbert von Karajan records (usually with Berliner Philharmoniker) stand out as finest among the rest. Not that he turned everything he touched into pure gold, but his recordings of orchestral works are very often peerless. And in slow compositions his abilities are even more applaudable, as he was able to feel the Adagio pieces to the smallest detail.