Cedar Walton_composer

Cedar Walton is a great jazz master whose bop-based style has influenced younger pianists over many decades. Also known for his great composing, this time Walton chose to do, for Venus Records, a songbook by legendary film composer Victor Young. Aided superby by super-bassist Buster Williams and – a sharp drummer of a younger generation, Walton plays Young's beautiful songs with relaxed elegance and modern jazz flair.

Clifford Jordan & The Magic Triangle - On Stage, Volume 1 (1975) {SteepleChase SCCD31071 rel 1989}
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© 1975, 1989 SteepleChase | SCCD31071
Jazz / Hard Bop / Post Bop / Saxophone

The first of three CDs featuring tenorman Clifford Jordan and his "Magic Triangle" (pianist Cedar Walton, bassist Sam Jones and drummer Billy Higgins) has fairly lengthy versions of "Pinocchio," "That Old Devil Moon," Walton's "The Maestro," and Jordan's "The Highest Mountain." Recorded live in Amsterdam, the musicians sound inspired by each other's presence, and there are many strong solos from Jordan and Walton. Well worth investigating.

Milt Jackson - Milt Jackson At The Museum Of Modern Art (1965) {Verve Originals rel 2008 B0011221-02}
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© 1965, 2008 Verve / Universal | B0011221-02 | Verve Originals
Jazz / Hard Bop / Modal Music / Soul Jazz / Vibes

One of the hippest Milt Jackson albums of the 60s – a set that definitely lives up to its Museum Of Modern Art setting! The performance is one of the most famous from that museum's well-remembered series of 60s jazz concerts – and it features Milt Jackson's quintet really stretching out nicely – hitting sharper tones and bolder notes than in some of their other sessions of the decade, and possibly picking up a freer feel overall in the live setting. Milt's vibes are wonderfully accompanied by the reeds of Jimmy Heath and piano of Cedar Walton – both players who mix soul and modern elements in the same sort of perfect blend that Jackson hits. And the rhythm section is tightly snapping and soulful – never too groove-oriented, but always conscious of a sense of a swing – thanks to bass from Ron Carter and drums from Candy Finch.

Clifford Jordan & The Magic Triangle - On Stage, Volume 2 (1975) {SteepleChase SCCD31092 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 266 Mb | MP3 @320 -> 101 Mb
Full Artwork | 5% repair rar
© 1975, 1992 SteepleChase | SCCD31092
Jazz / Hard Bop / Post Bop / Saxophone

The second of three volumes recorded in 1975 featuring tenorist Clifford Jordan with Cedar Walton, Sam Jones, and Billy Higgins finds the quartet in top form. Walton's "Midnight Waltz" is the first of three extended performances, the upbeat midtempo waltz featuring a rollicking solo by its composer, while Jordan's suave playing is buoyed by Higgins' driving rhythm. Walton's "Bleecker Street Theme" sounds more like a set closer due to its barely one-minute length; then the focus turns to standards, including a spacious treatment of "I Should Care" that has Jordan taking quite a few liberties with the melody from the very beginning, followed by a glistening interpretation of "Stella by Starlight." The CD reissue adds Higgins' tribute "Alias Buster Williams," which opens with a drum solo and then transforms into an uptempo post-bop setting with a Latin undercurrent as the band is added.

Six of New York City's heaviest hitters convene at the legendary Rudy Van Gelder studios and presents music built to tickle your mind, hit you in the heart & get your feet tappin with nine tracks written by pianist Mike LeDonne and tenor sax player Eric Alexander.