Dean Evenson is one of the true visionaries of the New Age/Ambient musical genre. He plays several instruments including the flute, percussion, synthesizer and keyboards. His music is generally sounds of nature combined with flute melodies and other instruments for ambient and meditative purposes. He is a prolific musician and composer, an entrepreneur, media pioneer and the co-founder of Billboard-charting independent music label, Soundings of the Planet. At every turn, Evenson’s life has taken bold steps in new and exciting directions. The success and pioneering nature of his creative work attest to a dynamic personality and a life-long commitment to the positive evolution of life on this planet in relationship with the natural and spiritual world. Evenson’s story is that of an artist, technological innovator, broad-minded thinker - a modern-day Renaissance man…
"My Passion" marks the second release of New Jersey's renowned guitar slinger Rhett Tyler and his blues outfit, Early Warning. Brilliant original songs and classic blues staples in the tradition of Magic Sam and Stevie Ray Vaughan….
Antarctica's polar ice sheet is the highest, coldest, windiest, driest and most unforgiving place on earth. Dry as the Sahara Desert with less than 5cm of snow a year it is also numbingly cold. The average temperature near the South Pole is minus 49 degrees Centigrade, and winds reach over 200Km an hour.
Steve Wynn went from the lower reaches of the Los Angeles underground music scene to major critical acclaim practically overnight with the release of the Dream Syndicate's debut album, The Days of Wine and Roses, in 1982. It proved to be the first act in a long and fascinating career in which Wynn matured into one of the canniest songwriters in rock, penning smart, flinty lyrics that told perceptive tales of human behavior both noble and otherwise, married to tough, engaging melodies full of muscular guitar work…
Posthumous reconstructions of unfinished works are inherently dangerous, principally because even the most capable scholar or producer can only make, at best, an educated guess as to how the work in question would have been completed. Indeed, in dealing with some such pieces, you're sometimes lucky to get the work of the artist claimed (the Mozart Symphony No. 37 is a case in point – it doesn't exist; the piece once labeled Symphony No. 37 and attributed to Mozart is now known to have been authored by Michael Haydn); and while there's no question that the songs on this CD were recorded by Jimi Hendrix, even the people who worked on the sides with him can't say which songs would have ended up on the finished version of First Rays of the New Rising Sun (assuming that he even ended up using that title for the album), or what embellishments he would have added to any of them in the course of completing them, or even if he might not have totally reconsidered such matters as tempo and approach to any of them…