Charade (1984)

THIRD NOISE PRINCIPLE: aka CLOSE TO THE NOISE FLOOR VOLUME 3.The third in our 'Close To The Noise Floor' early electronica series - this time exploring the USA and Canada. Includes legendary artists Suicide, The Residents (a previously unreleased track), Philip Glass, Terry Riley, Patrick Cowley, NON, Laurie Spiegel, Chrome, Ministry, Moev and dozens more. Journey into the origins of electronica in North America - from early techno and electro to synth-pop, industrial music, ambient soundscapes and noise experiments..60 tracks across 4CDs in a 48pp hard-back book format. Over 10,000 words of artists' sleevenotes and introductory essay by Dave Henderson (Sounds/Wild Planet/MOJO)..Packed with previously unreleased tracks, lost gems and underground classics from lesser known artists, experimenters, innovators and outsiders..Part primitive rave, part synthesiser porn, part history lesson!A year in the making, Third Noise Principle reaches out to North America, taking in tracks from key figures on the early US and Canadian electronica underground, alongside releases by ground-breaking innovators, seminal composers and countless lesser known artists.

In a career that stretched nearly half a century, Henry Mancini became synonymous with catchy, jazzy, romantic music for film and television soundtracks. This 2014 Classic Soundtrack Collection features 18 original Mancini soundtrack albums for the RCA, Epic and Columbia labels on nine discs plus rare bonus tracks, including a never-before-heard version of "Nothing to Lose" from Blake Edwards' 1968 comedy the Party performed by Julie Andrews. Taken together, the albums in this collection underline the enduring popularity of Henry Mancini and his unique ability to create movie music that pop audiences could also embrace. Albums Included are: The Pink Panther, the Return of the Pink Panther, Breakfast at Tiffany's, Charade, Hatari!, Oklahoma Crude, What Did You Do in the War, Daddy? High Time, Experiment in Terror, Darling Lili, Gunn, Who Is Killing the Great Chefs of Europe?, Two for the Road, Arabesque, the Great Race, Me, Natalie, the Party &, Visions of Eight.

Two talented historians, using much of the same source material, reach rather different conclusions on the policy of collective security and alliance with Paris and Prague, of which Maxim Litvinov was the protagonist and symbol.