Charles Burnett Michael Fend Penelope Gouk Eds The Second Sense Studies in Hearing And Musical Judgement From Antiquityto The Seventeenth Century

The slide rule, with its many variations, has been vital to mathematics and engineering since its invention in the 17th century. Interest in this field has grown dramatically and collectors can still find much material at affordable prices. Unfortunately there has been little information available except for manufacturers manuals and catalogs, making this reprint of Cajori's classic particularly valuable. Also included with this reprint of the 1910 edition is Cajori's extensive article On the History of Gunter's Scale and the Slide Rule during the 17th Century, published by the University of California in 1920, which sets forth his subsequent findings. There is also a helpful explanatory introduction by Dr. Robert K. Otnes, editor of the Journal of the Oughtred Society. 178 pages. Illustrated. 61/8" x 91/4". Hard cover.

The success of the 1962 Modern Sounds in Country And Western Music albums paved the way for Charles’ creative freedom as an artist. Throughout the rest of his career, he continued to show his deep affinity for country music. 1965’s Country and Western Meets Rhythm and Blues (aka Together Again) features Ray’s timeless version of the Buck Owens country standard “Together Again.” It also holds the distinction of being the first album Charles recorded in his own RPM International recording studio. While on 1996’s Crying Time album Ray delivers the definitive version of that Owens song and earned Ray the GRAMMY for Best Rhythm & Blues Solo Vocal Performance Male and recognition as Producer of Best Rhythm & Blues Recording by The National Academy of Recording Arts and Sciences. As if that weren’t enough, the album also boasts Charles #1 Billboard smash “Let’s Go Get Stoned.”

The success of the 1962 Modern Sounds in Country And Western Music albums paved the way for Charles’ creative freedom as an artist. Throughout the rest of his career, he continued to show his deep affinity for country music. 1965’s Country and Western Meets Rhythm and Blues (aka Together Again) features Ray’s timeless version of the Buck Owens country standard “Together Again.” It also holds the distinction of being the first album Charles recorded in his own RPM International recording studio. While on 1996’s Crying Time album Ray delivers the definitive version of that Owens song and earned Ray the GRAMMY for Best Rhythm & Blues Solo Vocal Performance Male and recognition as Producer of Best Rhythm & Blues Recording by The National Academy of Recording Arts and Sciences. As if that weren’t enough, the album also boasts Charles #1 Billboard smash “Let’s Go Get Stoned.”