This two-fer from Collectables features a pair of out of print Herbie Mann LPs: Windows Opened and The Inspiration I Feel, both originally issued on Atlantic Records in 1968. These 12 tracks feature jazz versions of popular songs of the period written by Donovan, Tim Hardin, and Jimmy Webb plus six associated with Ray Charles. Herbie Mann is accompanied by frequent collaborators Roy Ayers, Sonny Sharrock and Miroslav Vitous (and Bruno Carr), whose names should attract, justifiably, "serious" Jazz lovers.
Features 24 bit digital remastering. Comes with a mini-description. A sweet electric set from the great Herbie Mann – one of his best of the time! Like a number of his contemporaries recording jazz for Atlantic, Herbie had moved pretty firmly into a funky soul mode by the mid 70s – adding in lots of electric instrumentation and vocals to keep up with the success of some of the bigger-selling jazz albums of the time. Oddly, this approach actually sounds pretty darn good to us – especially having the hindsight of over 25 years to get over the shock of any sort of perceived "sell out". The players are all pretty tight, and Herbie manages to keep things pretty hip on all tracks, sticking to his roots in Latin-influenced playing. The record features remakes of "Comin Home Baby" and Joe Cuba's "Bang Bang", plus a version of Astor Piazzolla's "Deux Xango", and the orignals "Paradise Music", "Body Oil", and "Waterbed".
The Atlantic Jazz series continues with this slice of mostly '60s jazz-soul treats. Fittingly, the 11-track disc includes a side by one of the prime progenitors of soul, Ray Charles: He and MJQ vibraphonist, Milt Jackson, stretch out on the canonized "How Long Blues." Further expounding on the soul-jazz trajectory, the collection spotlights work by organist Shirley Scott (the Aretha Franklin hit "Think"), Les McCann and Eddie Harris (their classic Montreux Festival cut "Compared to What"), Yusef Lateef ("Russell and Elliot"), and Hank Crawford ("You're the One"). And there's even a bit of boogaloo-enhanced bossa, compliments of trumpeter Nat Adderley ("Jive Samba"). The soundtrack to your next retro-cool shindig.
One of the most ecclectic musicians of the century, Herbie Mann went from playing straight jazz in the '50's to several musical genres over the following decades. During the early '70's he made some great recordings. Two albums from this period, Turtle Bay and Discoteque are combined for this release. While Discotheque does have some gems, in my opinion Turtle Bay offers the most satisfying listening.
Some bop snobs claim that people in the NAC/pop-jazz field are playing unchallenging music because they don't have chops, but that isn't true – a lot of NAC musicians do have chops and they aren't afraid to improvise when they take it to the stage. Unfortunately, they aren't nearly as risk taking in the studio, where they avoid improvisation because they don't want to frighten away rigid NAC radio programmers. David Mann, for example, is a capable saxman whose influences include Grover Washington, Jr. and David Sanborn. But he plays it much too safe on Touch, which was obviously recorded with NAC radio in mind. Most of the time, Mann favors an unchallenging, innocuous blend of pop, R&B, and jazz – and there is precious little evidence of his skills as an improviser.
BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks - made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.
BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks - made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.