Charles Mingus The Complete Town Hall Concert

Charles Mingus - The Complete Town Hall Concert (1962) {Blue Note CDP 724382835325 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 383 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 300 dpi (png) -> 40 Mb | 5% repair rar
© 1962, 1994 Blue Note / Capitol | CDP 7243 8 28353 2 5
Jazz / Post Bop / Avant-Garde Jazz

Charles Mingus's Town Hall Concert has long been considered a famous fiasco, and the original United Artists LP (which contained just 36 minutes of music and did not bother identifying the personnel) made matters worse. But this 1994 Blue Note CD does its best to clean up the mess. It contains over half an hour of previously unreleased music and programs the selections largely in the same order as the concert.

Billie Holiday - The Complete Billie Holiday On Verve 1945-1959 (1992) {10CD Set Verve–PolyGram 517 658-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.63 Gb | MP3 @320 -> 1.66 Gb
Full Artwork @ 300 dpi (jpg) -> 288 Mb | 5% repair rar
© 1945-59, 1992 Verve / PolyGram | 517 658-2
Jazz / Vocal Jazz / Swing / Classic Female Blues / Traditional Pop

This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.

Decades before Corey Harris, Guy Davis, and Keb' Mo' wed the Delta blues to various folk forms, there was Taj Mahal. Almost from the very beginning, Mahal provided audiences with connections to a plethora of blues styles. Further, he offered hard evidence connecting American blues to folk styles from other nations, particularly, but not limited to, those from the West Indies and various African countries, bridging gaps, highlighting similarities, and establishing links between many experiences of the African diaspora…