From his first recordings in 1953 to his death in 1989, Franco Luambo (to use one of the many possible extensions of his name) dominated the music of sub-Saharan Africa in a way that is difficult to over-estimate. And the fact that he is still comparatively unknown in the world of ‘world music’ is a travesty of justice that these 2CDs, with their rare photos, thoroughly reasearched and eloquent notes, sets out to redress.
Originally released around the turn of the millennium, Musick to Play in the Dark featured a restarted Coil at bay, with original members John (later Jhonn) Balance (R.I.P.) and Peter Christopherson joined by synthesist/bassist Thighpaulsandra, and Drew McDowall (replaced by Rose McDowall on the second volume). These are long-form works, collections of mood pieces in several modes, and what’s interesting (and somewhat predictable) is that the patience displayed while shifting in between these modes creates a tension and space that feels… almost removed from music by a step, as if the performance decided to slowly back away from Coil at a respectful, totality-fearing distance (or maybe it was the psychic force of their music that pushed it all back)…
Soon after Charles Mingus finished touring Europe with his band (the unit that featured Eric Dolphy), he recorded this CD, performed live at The Jazz Workshop in San Francisco. With tenor-saxophonist Clifford Jordan and drummer Dannie Richmond still in the group but Jane Getz replacing pianist Jaki Byard and altoist John Handy filling in for Dolphy on one song, the band performs excellent versions of "Meditations on Integration" and "New Fables," both of which are over 23 minutes long. Although not up to the passionate level of the Mingus-Dolphy Quintet, this underrated unit holds its own.
Few bands have a reputation for making music as consistently honest, organic, and daring as Gov’t Mule. But in curveball mode, and for the first time in its 20-year career, Gov’t Mule has delved into its vaults for Stoned Side Of The Mule (Vol 1 & 2)…