Charlie Byrd Latin Byrd

The fate of the music underground tunnel where radio monopolies were confined these threatening cultural revolutions. Nova catching mix of cult songs like White Rabbit, the acid trip of fifteen years before Jefferson Airplane and Devotion by John McLaughlin, one of the pioneers of jazz-rock fusion. 1981 and the lyrical and modernist breakthroughs of the new wave, Tuxedomoon. And his French electronics Heldon, with already big his New York Material, the group of Bill Laswell, a fellow traveler.

Dave Brubeck, Johnny Griffin, Stephane Grapelli, Carmen McRae, Dexter Gordon, Stan Getz, Count Basie, Duke Ellington, Ella Fitzgerald, Miles Davis and many more!

Ray Vega pays tribute to 13 fellow trumpeters on Boperation, offering Latin jazz interpretations of songs that were, in most cases, written by the trumpeters themselves. All of the trumpeters that Vega salutes became well known after World War II and made their mark playing bop, cool, or post-bop; the Puerto Rican New Yorker doesn't embrace anything by pre-bop icons like Louis Armstrong, Bix Beiderbecke, and Harry James, but, rather, turns his attention to the works of post-swing improvisers ranging from Dizzy Gillespie, Art Farmer, and the Fats Navarro/Howard McGhee team to Clifford Brown and his admirers, including Freddie Hubbard, Lee Morgan, Woody Shaw, and Donald Byrd…

On this follow-up volume of recordings done live at Birdland from the second-edition "Jazz Messengers" (officially the Art Blakey Quintet), there are extraordinary high points, along with low points that either result from tiredness or a lack or preparation. With trumpeter Clifford Brown taking over briefly for Donald Byrd, and alto saxophonist Lou Donaldson in the fray post-Hank Mobley, the band has a very different sound, though pianist Horace Silver, Blakey, and bassist Curly Russell (sitting in for Doug Watkins on these recordings only) are solid as a rock. There's some quintessential bop and hard bop in this set, inspired and hard-charging as one might expect, but the Latin tinge of the original band is gone…