Charly Blues Masterwork

This is a phenomenal collection of blues put out by the UK label Charly. Just take a look at the list of volumes in this series and you will have to agree that this is an exceptional set of Blues.

Chester Arthur Burnett, known as Howlin' Wolf, was a Chicago blues singer, guitarist and harmonica player, originally from Mississippi. With a booming voice and looming physical presence, he is one of the best-known Chicago blues artists. Musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies'". Several of his songs, including "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2004, Rolling Stone magazine ranked him number 51 on its list of the "100 Greatest Artists of All Time."

There are a large number of blues albums floating around. It is a great collection of tunes and a value purchase. Outstanding group of musicians and totally enjoyed the music, blues and recommend this to anyone enjoying the blues and wanting the best of musicians.

Albert Collins, "The Master of the Telecaster," "The Iceman," and "The Razor Blade" was robbed of his best years as a blues performer by a bout with liver cancer that ended with his premature death on November 24, 1993. He was just 61 years old. The highly influential, totally original Collins, like the late John Campbell, was on the cusp of a much wider worldwide following via his deal with Virgin Records' Pointblank subsidiary. However, unlike Campbell, Collins had performed for many more years, in obscurity, before finally finding a following in the mid-'80s.

Arthur Crudup may well have been Elvis Presley's favorite bluesman. The swivel-hipped rock god recorded no less than three of "Big Boy's" Victor classics during his seminal rockabilly heyday: "That's All Right Mama" (Elvis' Sun debut in 1954), "So Glad You're Mine," and "My Baby Left Me." Often lost in all the hubbub surrounding Presley's classic covers are Crudup's own contributions to the blues lexicon. He didn't sound much like anyone else, and that makes him an innovator, albeit a rather rudimentary guitarist (he didn't even pick up the instrument until he was 30 years old).

This distorted board tape captures Clarence "Gatemouth" Brown and an anonymous band, circa 1980, working a small club date. The playing is wonderful and Gatemouth is at the top of his game, both on guitar and violin. However, the bootleg quality of the sound is so off-putting that one can't imagine listening to this disc more than once. For completists only.– by Cub Koda

Former radio repairman Elmore James spent a good deal of time re-wiring his amplifiers, giving him a raw, distorted, and urgent sound on electric guitar that, coupled with his killer slide style, made him the Godfather of modern electric guitar, and few gunslingers can match his intensity or powerful, dirty sound (even when armed with a train-load of stomp boxes). This intriguing disc packages late sessions James did for Bobby Robinson's Fire imprint, including fine versions of "Sunnyland Train" and "Standing at the Crossroads," which features James' signature roaring slide guitar sound, a force of nature that will forever be his calling card.