Chega João Gilberto

A wonderful live set from Joao Gilberto - very intimate, with a spare, stripped down quality that shows him at his best! The album features Joao on acoustic guitar and vocals - with no other backing, holding up a wealth of emotion and fragile beauty with a few simple moves of his hand and voice, in that incredible way that few other bossa players ever managed to match!

This is Joao Gilberto - Joao Gilberto Interpreta Tom Jobim, for Odeon, featuring Antonio Carlos Jobim compositions performed by Joao Gilberto on his early recordings for Odeon label. This is the best of both worlds and should be listened from the start until the end on a single audition.
When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and take the genre in a new direction, reinventing through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs…

João Gilberto (10 June 1931 - 6 July 2019) was a Brazilian singer, songwriter, and guitarist.
When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come along and take the genre in a new direction, reinventing through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim gets credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto…

Stan Getz & Joao Gilberto - Getz/Gilberto '76 (2016) {Resonance Records HCD-2021 rec 1976}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 331 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 600 dpi (jpg) -> 163 Mb | 5% repair rar
© 1976, 2016 Resonance Records / Rising Jazz Stars | HCD-2021
Jazz / Post Bop / Bossa Nova / Saxophone / Guitar

Having reunited for 1976's The Best of Two Worlds, saxophonist Stan Getz and Brazilian singer/guitarist João Gilberto celebrated the album's release with a week of shows at San Francisco's Keystone Corner. Marking over a decade since the pair had made history with 1964's landmark Getz/Gilberto album, the shows, which took place between May 11-16, 1976, would prove one of the rare times they appeared live together. Resonance Records' 2016 album, Getz/Gilberto '76 (and the separate release Moments in Time), documents these shows via live recordings made by Keystone Korner club owner Todd Barkan.

João Gilberto - Eu Sei Que Vou Te Amar (Ao Vivo) (1994) {Epic 789.042-2-476467}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 278 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 300 dpi (png) -> 25 Mb | 5% repair rar
© 1994 Epic / Sony Music Brasil | 789.042-2-476467
Jazz / Bossa Nova / Latin / Brazilian Jazz

Years go by and João Gilberto's "studio" albums are becoming increasingly rare. João voz e violão (2000), produced by Caetano Veloso, is officially and to this day the artist's last studio album. I fall back on his Ao Vivo. In 1980 the very good João Gilberto Prado de Oliveira and Live in Montreux (1987) were released. In the 90s and 2000s, several Ao Vivo albums by João Gilberto were released, including the excellent Eu Sei Que Vou Te Amar (1995). On stage, João Gilberto is faithful to the precepts of Bossa Nova: acoustic guitar without ostentatious orchestral accompaniment, muffled voice, this slight difference between voice and guitar, fairly short titles.

João Gilberto (born João Gilberto Prado Pereira de Oliveira - June 10, 1931 – July 6, 2019), was a Brazilian singer, songwriter, and guitarist, who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world he was often called "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" ("The Legend")