Chesky Records Iso

What happens when you combine three guitar masters - each with a lifetime of impressive musical experiences, and have them play together for the first time in the wonderful acoustic setting of New York's St. Peter's Church? You have the ideal set of ingredients for an eclectic and original masterpiece. With our signature high-resolution recording process, Chesky Records captured with amazing sonic clarity this historic combination of three original styles and creative personalities to bring you one unforgettable experience.

Standing at the crossroads of Scottish Folk and Modern Pop, singer/songwriter Rebecca Pidgeon has recorded three wonderfully imaginative albums with Chesky Records over the last decade. In each of Rebecca's distinct recordings she demonstrates an uncanny ability to span a wide range of vocal and song styles, while consistently propelling her signature sweet voice. Now commemorating the best from each album, this collection offers you the individual titles that together create an exciting mosaic of this amazing singer/songwriter.

Jazz vocalist Louise Rogers has been gradually winning over converts with her beautiful burnished tone, clear diction, flawless intonation, and impeccable musicianship. Her natural, unforced delivery harkens back to such pure singers as Peggy Lee, Ella Fitzgerald, Chris Connor, and Doris Day. And while she may possess considerable technique and a capacity to improvise and scat up a storm like her most significant role model, Ella, Rogers takes a more relaxed and restrained approach on Black Coffee, her fifth recording overall and first for Chesky Records.

Known for her delightful delivery and delicate vibrato-less soprano, the Sao Paulo-born composer & vocalist/guitarist is equally at ease on melodic ballads as she is on tongue-twisting sambas. A Cash Box reviewer once wrote that "hearing Ana Caram was like a sweet, sunny, wake up call".

Jazz vocalist Louise Rogers has been gradually winning over converts with her beautiful burnished tone, clear diction, flawless intonation, and impeccable musicianship. Her natural, unforced delivery harkens back to such pure singers as Peggy Lee, Ella Fitzgerald, Chris Connor, and Doris Day. And while she may possess considerable technique and a capacity to improvise and scat up a storm like her most significant role model, Ella, Rogers takes a more relaxed and restrained approach on Black Coffee, her fifth recording overall and first for Chesky Records.

Beat Kaestli turns his attention to the Great American Songbook on Invitation, his auspicious debut for Chesky Records. Recorded at St. Peter's Church in Chelsea, this stirring collection of jazz standards is the perfect showcase for Kaestli's hauntingly beautiful voice, which falls somewhere in the Chet Baker-Kenny Rankin range. His voice is imbued with clarion articulation, naturally relaxed phrasing and uncanny feeling.

Ramon "Mongo" Santamaria was an Afro-Cuban Latin jazz percussionist. He is most famous for being the composer of the jazz standard "Afro Blue", recorded by John Coltrane among others. In 1950 he moved to New York where he played with Perez Prado, Tito Puente, Cal Tjader, Fania All Stars, etc. He was an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s. His 1963 hit rendition of Herbie Hancock's "Watermelon Man" was inducted into the Grammy Hall of Fame in 1998. His album Mambo Mongo was released on Chesky Records in 1993.

The Conga Kings are back with their second Chesky Records release to prove that these master congueros have more rhythmic tales to tell. Featuring Candido Camero, Carlos "Patato" Valdes and Giovanni Hidalgo, Jazz Descargas is a spontaneous celebration of modern rhythm and melody, a joyous colloquium of jazz and Afro-Cuban sounds by the likes of Machito, Dizzy Gillespie and Tito Puente. Historically, musically and conceptually, this rhythmic dream team is creating the genuine article. The Conga Kings are joined on Jazz Descargas by special guests Phil Woods, Mario Rivera, Chocolate and Jimmy Bosch.

Beat Kaestli turns his attention to the Great American Songbook on Invitation, his auspicious debut for Chesky Records. Recorded at St. Peter's Church in Chelsea, this stirring collection of jazz standards is the perfect showcase for Kaestli's hauntingly beautiful voice, which falls somewhere in the Chet Baker-Kenny Rankin range. His voice is imbued with clarion articulation, naturally relaxed phrasing and uncanny feeling.