Chet Baker Live in Japan 1986 Sendai Vol.1

Chet Baker - Live In Rosenheim - Chet Baker's Last Recording As Quartet (1988) {2015 Japan Timeless Jazz Master Collection Complete Series}
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© 1988, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6344
Jazz / Cool / Post Bop / West Coast Jazz / Trumpet

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. ‘Live in Rosenheim’ was issued posthumously, and is billed as ‘Chet Baker’s last recording as a quartet’. It has been suggested that Chet’s performance is tired and lackluster, but he sounds on fairly good form. ncludes "Funk In Deep Freeze", "Portrait In Black And White" and "In A Sentimental Mood".

Chet Baker features two concerts by the foremost interpreter of the West Coast school of cool jazz. Filmed in Europe 15 years apart, these two shows seen together provide an overview of Baker’s illustrious career. The first show is a haunting 1964 performance in a Belgian TV studio with a quartet including long-time sidemen saxophonist Jacques Pelzer and French pianist Rene Urtreger. Songs include the Miles Davis classic, “So What,” and the jazz standard “Time After Time” (a very rare rendition featuring Chet’s “Cool” vocal style.) The soulful1979 set from Norway, with a trio featuring vibraphonist Wolfgang Lackerschmid, highlights the growth and maturity of this troubled but inspiring artist.

Blues Interaction - Live In Japan 1986 Is a 1986 live album by blues singer and guitarist Otis Rush. Recorded with local Japanese band Break Down, the album has been panned by many critics because of what was considered to be the backing band's rudimentary knowledge of blues music.[citation needed] Ironically, Rush has dual citizenship in the United States and Japan.[citation needed] His current wife is a native of the country. Originally the album was released in Japan only by P-Vine Records but was subsequently released in 1996 in the United Kingdom by Sequel Records.

Tragic genius who reinvented the electric bass guitar, playing complex, long lines and amazing solos at remarkable speeds.
Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He also sported a strutting, dancing, flamboyant performing style and posed a further triple-threat as a talented composer, arranger and producer. He and Stanley Clarke were the towering influences on their instrument in the 1970s…